Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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"Many organisations will have a subjective view of most of their audiences. To highlight this, I’m going to consider what I might look like to some of the organisations I’ve visited in the past year. I may only be one person, but you’ll see I look very different to the organisations I chose to visit."
How should we understand the difference that arts and culture makes to individuals and to society? The case is too often presented in terms of benefits that are thought to be important to the government of the day while neglecting some of the more fundamental benefits that matter to us all. Catch up with the podcast below:
The Hungarian government regards all autonomous organizations as a threat and is attempting to bring them under its own influence, or make their operations impossible.
How can there be an arts industry when the artist has no guaranteed income?
written by David Pleger One of the most straightforward responses to the issue of the arts, its relation to the marketplace and public funding was an initiative of the Culture Secretary of Rio de Janeiro who, in 2012, split the arts budget down the middle. One half was apportioned to the commercial sector as ‘investment’, the other to the not-for-profit sector as ‘a grant’ (without any requirements to justify its receipt). This approach seemed to balance the contesting arguments around arts funding – one that recognises art as a public good and the other that frames it as a commodity in the...
A little soupçon of beauty? Joanna Mendelssohn, Associate Professor, Art & Design: UNSW Australia There comes a time in the ancient Chinese lingering execution, lingchi or Death by a Thousand Cuts, when the prisoner begs for the final stroke to end the torture – and life. The good news is that the latest round of Australia Council four year funding grants shows that it is not there yet. Some essential visual arts publications have had their four year funding renewed, as have some exhibition spaces with a fair national spread. From looking at what has been funded (and from hearing the...
How can art and culture get the societal recognition of their importance and their function as tool for international - and transatlantic relations?
Putting art at the heart of a community enhances our lives by stirring hard-to-articulate feelings and inspiring us to look beyond what we believe to be possible and imagine a more vibrant, exciting future. It also reminds us that we’re all creative beings — and that whether we’re making art or music, telling stories or cathartically sharing in the experience, we’re all connected.
'Culture is simultaneously the art that we make but it is also the life that makes us​. When a model like creative industries comes along, it can tidy that up a little bit too much and it can slant it in one direction, particularly the economic.’
President Robert Mugabe’s statements that about $15 billion raised from diamond sales was missing has inspired veteran theatre producer and actor Silvanos Mudzvova to pen a one-man, 45-minute play titled Missing Diamonds, I Need My Share
"The vast majority of artists are now, effectively, on their own. The only courses of action are carrying on as always hoping for recognition and support form a funding system powerless to deliver it, or start the difficult task of engaging the public and developing our own capacity. It means putting our skills and our talent, our passions and moral convictions, our creativity at the service of the public..."

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