In this workshop, Ana Dubljević invites us to view (feminist) dramaturgy - not only how it produces a meaning on stage, but also as the common practice of thinking and feeling within the process of creation, organisation, production and dissemination of a performance.

If in our relationship with the audience, we leave the authority of a central viewing point, can the feminist dramaturgical thinking help us to also leave it in the working process, both intentionally and simultaneously? How can we lead processes based on the practices of pleasure and care? How can we lead processes not with efficiency, but through co-existing in disagreement and with those that provide space for uncertainties despite the fear, because they see space as freedom? Can those different processes produce different shows, and if so how? 

Participants are invited to reflect and share examples of their own artistic and cultural practices and map the problems and possibilities of this type of approach.

This session will be based texts from the book by Ana Dubljević - “The Feminist Pornscapes. On Feminist Dramaturgical Thinking in Dance and Performance Practice”

This workshop has a limited capacity of 20 participants. Registrations are first come, first served.

The exact same session will be held on Friday 30 September and Saturday 1 October.

RESERVE YOUR SPOT

Facilitator

Ana Dubljević, Choreographer / Dramaturge, Serbia