Production Houses vs. Companies
New ways of management, cost efficiency, joint representation of artists, professional networks. Service provision or partnership?
What is the best structure for realising artistic projects? Who would represent artists the best? Producers? Agents? Themselves?
How much do existing structures and solutions reflect the ideal and how much are they a constraint of finances and capacities?
Following a brief introduction of the Hungarian practices, (better or worse) examples we will work in small groups to investigate these issues in more detail.
