| 16:00-18:00 | 22  |
Trails of the ‘90s Underground Culture [Artistic Walk]Meeting point: Statue of Bill Clinton
Meeting point: Statue of Bill Clinton
Address: Statue of Bill Clinton, Idriz Gjilani, Prishtina | Event Map | Venue Accessibility Come with your own smartphone and earphones to experience this journey. To prepare, take a look at this website. This audio journey has been created from the real life of artist Florent Mehmeti during the 90s, weaving an artistic experience that traverses the life of young people of Prishtina during this period - especially the life of young artists. It is based on real events, but empowered with artistic means from the artist himself. The journey, which starts at the Bill Clinton Statue and ends at Dodona Theater - the cultural resistance nest from that time - goes through streets and alleys that reveal moments and situations that rarely happen in history. This journey can be experienced autonomously at any time using your own smartphone and earplugs and by downloading 'the walk' in the ECHOES interactive sound walks app and following the instructions. Guide: Florent Mehmeti, Teatri ODA, Kosovo |
| 18:00-20:00 | 18  |
Accreditation and welcome deskLocation: National Theatre of Kosovo
Location: National Theatre of Kosovo
Address: Teatri Kombëtar | Event Map | Venue Accessibility Collect your badge and welcome pack in the lobby of the National Theatre of Kosovo before the performance starts. |
| 20:00-22:00 | 21  |
1984Location: National Theatre of Kosovo
Location: National Theatre of Kosovo
Address: Teatri Kombëtar | Event Map | Venue Accessibility Language: Albanian with English subtitles In this new dramatisation of 1984, Igor Mendjisky steps into a world where the boundaries of reality blur and the quest for self unfolds amidst a tapestry of love, politics and the haunting spectre of solitude. Giving a precise answer to what 1984 is as a novel, the dramaturg and director says 'I don’t know, and giving a precise and detailed answer would reduce the depth of this ‘monument’.' The show speaks of power, identity, solitude and the quest for oneself through the quest for others. It explores love, politics, childhood and its troubles. It has a satirical take, which over the years has transformed into a novel of anticipation, a metaphysical fresco, vibrant, frightening and moving. It may simply be the story of the ‘last man’, as George Orwell liked to call it. Like every great novel, this story carries within itself all the major themes of the human condition with perhaps a desire to prevent the worst. Duration: 2 hours Genre: Theatre Credits: Written by: George Orwell Get in touchProduction contact: kushtrim.sheremeti@rks-gov.net Status: Ready for touring |
| 22:00-23:00 | 18 |
Welcome receptionLocation: Boro and Ramiz
Location: Boro and Ramiz
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility Join us for a warm welcoming reception, hosted by the Kosovo Theatre Showcase. |
| 23:00-01:00 | 18 |
Late Night Meeting PointLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility The meet-up space for IETM Caravan Kosovo participants. |
| 10:30-12:00 | 19  |
Theatre in Times of CrisisLocation: National Theatre of Kosovo
Location: National Theatre of Kosovo
Address: Teatri Kombëtar | Event Map | Venue Accessibility What can we expect from theatre in times of social and political crisis? Does it need to assume a role beyond its traditional one, such as a sensitiser, healer and propagator? Does it begin to be perceived as a space for solidarity and commemoration, as well as an institution of ‘spiritual resistance’? And if so, are these ‘additions’ something that diminishes the artistic purpose of theatre or strengthens it? Simply put - does theatre strive to survive and is its survival in times of war and crisis an act of resistance and resilience? What expectations do the audience have towards its own theatre, an audience that in their daily lives is confronted with the horror of crisis and war as well as social and political turmoil? And what does the audience expect from their comfort zone – the one that observes the events from a distance? With the invasion of Russia into Ukraine and the Russian waging war, the theatre world has shifted its focus towards Ukrainian productions, as a symbol of solidarity and support for the victims. It is driven by an almost selfish desire to be on the right side of history. But is theatre merely a space to reproduce the images of war, suffering and terror that people are experiencing in the war zones - a war ‘far away, somewhere in Ukraine’? Perhaps it should go beyond that, to tell us about Ukrainian society, about people’s lives before the conflict, to provide a broader picture of a normalcy that existed and has now been disrupted. Finally, can and should theatre in a more sincere and profound manner awaken our sense of empathy for others? Not only when this is projected and guided by the media and politics, but when this kind of solidarity and empathy attempts to break through and is ignored by politics and the media – as is the case of the current situation with refugees from the Middle East and Africa. How can theatre become a detector of human suffering, even when that suffering is not in the spotlight and the interest of politics and the media? Speakers Katya Kisten, Ukraine Aktina Stathaki, BETWEEN THE SEAS - Festival of Mediterranean Performing Arts, Greece Roy Horovitz, Bar-ilan University,Israel Emma Jordan, PRIME CUT PRODUCTIONS, Northern Ireland, United Kingdom Moderator Verity Healey, Journalist, writer and photographer, United Kingdom |
| 14:00-15:00 | 19 |
New Plays, New WorldsLocation: Barabar Centre
Location: Barabar Centre
Address: Zahir Pajaziti Square, Grand Hotel Prishtina, 4th floor | Event Map | Venue Accessibility A series of presentations of new contemporary plays and readings of excerpts from plays, followed by short discussions with the authors. ‘Volim te’ by Vera Morina (NL) On a rainy and sleepless night, soon-to-be-mother Ena decides to throw away all of her childhood possessions. Then, a man covered in blood enters her living room - a man she’s been missing for 27 years. And he wants to tell her where he’s been. ‘The Fabulous Adventures of Absent Ayse’ by Zeynep Kacar (TR) ‘The Fabulous Adventures of Absent Ayşe’ tells about the ordinary life of a woman from her birth to her mid-fifties in an ironic style. This is the story of unaccomplishment. Ayşe wants to be a singer, but the world around her does not let her. The education system, fairy tales, family and concern for the future shapes this world. Ayşe is hampered every time she tries, and one day she finds herself an old woman. Just like her mother, she has obeyed the rules and could not become the person she wanted to be. ‘Big Deal’ by Mia Efremova (NMK) 'In this play, Mia Efremova speaks the language of Sarah Kane. Her brutal poetics acts as a form of anthropological grammar, whose sentences connect situations that do not move from the construct of the elementary male-female gender relationship, but on the other hand produce a strange genesis that with the development of the action becomes frightening.' – Saso Ognenovski ‘The Man Who Was Missing’ by Zymber Kelmendi (RKS) Considered a hero, a soldier missing for years suddenly returns home. The celebration of his return will pass very quickly when the life of his family members and close friend - built on the sacrifice and name of the hero - is disturbed. A seemingly simple request for the hero to stay at home for a while will turn the whole situation into a black comedy with shades of absurdity - or maybe even tragedy! Authors: Vera Morina (NL), Zeynep Kacar (TR), Mia Efremova (NMK), Zymber Kelmendi (RKS) Stage readings directed by: Butrint Pasha Actors: Shpëtim Selmani, Zhaneta Xhemajli, Ermal Sadiku, Zana Berisha, Blin Mani Moderator Jeton Neziraj, Qendra Multimedia, Kosovo |
| 15:30-17:00 | 19 |
International Theatre MarketLocation: Barabar Centre
Location: Barabar Centre
Address: Zahir Pajaziti Square, Grand Hotel Prishtina, 4th floor | Event Map | Venue Accessibility International Theatre Market is designed to gather international theatre professionals in order to exchange ideas and experiences from their work back home. Theatre leaders, directors and producers unfold their work and talk about the theatre productions they have been working on recently, as well as their visions for the future. A few showcase, network and platform representatives have also been invited to share information about their activities. This is a good opportunity for new collaborations to be born and for existing ones to be strengthened. Elżbieta Manthey & Marta Orczykowska, Agencja Dramatu i Teatru "ADiT," Poland Giacomo Pedini, Mittelfest, Italy Dagmara Gumkowska, OPEN THE DOOR International Festival, Poland Aktina Stathaki, Between the Seas, Greece Aurela Kadriu, Qendra Multimedia, Kosovo Amy Sze, LegalAliens Theatre, United Kingdom Ása Richardsdóttir, IETM, Belgium/Iceland Donika Rudi, European Festivals Association, Kosovo Tina Hofman, Independent creative, producer, PhD researcher, United Kingdom Moderator Aurela Kadriu, Qendra Multimedia, Kosovo |
| 17:30-17:50 | 21 |
Donika Rudi — Lament of the EarthLocation: Prishtina City Park
Location: Prishtina City Park
Address: Street Rrustem Statovci, Prishtina City Park | Event Map | Venue Accessibility Language: Albanian (written translation in English provided) Lament of the Earth is a cycle of audio-visual works by composer Donika Rudi, dedicated to the effects of climate change on Earth. The core focus of this cycle is to address the topic of climate change and sound experiences for the deaf community. The work is built based on the graphics of warming stripes, which visually portray long-term temperature change on the surface of the Earth. The beginning of the work focuses on organic and human sounds - based on calmness and harmony from the text of Doruntina Basha - while the culmination is achieved with transformed, distorted sounds and the weep of the Earth. The call for action is performed by Kaltrina Miftari, soprano. Sign language and dance are an integral part of this cycle. Through movement, dance and ‘visual vernacular’, the emotion of sounds will be experienced. The work addresses what we all feel, but do not speak; look, but do not see - something that affects as we remain indifferent. Every living being is an integral part of the Earth - as such, we rise and return to it. This work is the medium between the listener and their long-lost genome, as it tries to explore the existence of each of us with a call - a call to listen and act before it is too late. She spoke, but did we listen? She asked, but did we respond? She gasped, but did we stutter? We are, until she is! Duration: 20 min Genre: In situ audiovisual performance Credits: Composer: Donika Rudi Get in touchProduction contact: donikarudi@gmail.com |
| 20:00-21:30 | 21 |
Negotiating PeaceLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility Language: English Negotiating Peace is a complex and diplomatic challenge after military conflicts. In some cases, peace agreements are made; in others, complete peace is never reached or simply remains an arrangement on paper. Multiple wars and conflicts raise multi-layered questions and leave behind ambiguities, which makes peace difficult. Looking at peace negotiations including the Dayton peace agreement, those in Northern Ireland and the Middle East, the still-unresolved talks between Kosovo and Serbia - and anticipating the conclusion of the war between Russia and Ukraine - Kosovo’s Qendra Multimedia have brought together a pan European ensemble to create Negotiating Peace. This new production has been created with artists and theatre groups from Ukraine, Kosovo, Serbia, Bosnia and Hercegovina, Italy, Czechia, Albania, North Macedonia, Norway, Poland and Estonia. Inspired by Richard Holbrooke’s To End a War and Kadare’s The General of the Dead Army, Negotiating Peace tries to confront the audience with the backgrounds, challenges, fears and hope that accompany the reaching of a peace agreement and discusses important issues: who has the power and legitimacy to negotiate peace? Do people truly reconcile after signing a peace accord? And finally: can collective forgiveness ever occur, or is forgiveness an individual act? Negotiating Peace will be directed by Qendra’s Blerta Neziraj in her vibrant and striking style which tackles political and social issues head-on. Speaking about the production, Blerta said: ‘The main thing we are looking at in this theatre production is: if war has its demons leading people towards destruction and misery, what does peace have? Who is the antipode of the war demons? Are they the peace emissaries? The political leaders who have the courage to sign peace agreements? Or the ordinary people, the survivors, who have paid the highest price of the war.’ Duration: 1h30m Genre: Theatre Credits: Written by: Jeton Neziraj Produced by Qendra Multimedia In association with Teatro della Pergola (Italy), euro-scene Leipzig (Germany); Prague City Theaters (Czech Republic); R.A.A.A.M (Estonia); Mittelfest (Italy); Kontakt (Bosnia and Herzegovina); Black Box Teater (Norway) and My Balkans (USA/Serbia) Get in touchProduction contact: info@qendra.org Status: Ready for touring |
| 21:30-00:00 | 18 |
Late Night Meeting PointLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility The meet-up space for IETM Caravan Kosovo participants. |
| 09:30-10:30 | 18 |
Bus to FerizajMeeting point: Teatri ODA (ODA Theatre)
Meeting point: Teatri ODA (ODA Theatre)
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| 11:00-12:30 | 21 |
Hana is FlyingLocation: Adriana City Theatre of Ferizaj
Location: Adriana City Theatre of Ferizaj
Address: Teatri Adriana, Dëshmorët e Kombit, Ferizaj | Event Map | Venue Accessibility Language: Albanian with English subtitles Anita and Belina's lives are happy until a hospital starts being constructed near their home. Their husbands have agreed to everything. The house will collapse along with the wall in front of it. However, Anita and Belina cannot leave the wall and their memories behind. They send a letter to the mayor asking him to stop the demolitions. After many attempts to halt the demolition, Anita and Belina climb over the wall and decide to protest. With the demolition of the wall, their lives crumble along with a long-buried secret. Duration: 1h30m Genre: Theatre Credits: Written by: Arta Arifi Get in touchProduction contact: ugzmajlibesim@gmail.com Status: Ready for touring |
| 12:30-13:30 | 18 |
Bus to GjilanMeeting point: Adriana City Theatre of Ferizaj
Meeting point: Adriana City Theatre of Ferizaj
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| 13:30-15:00 | 18 |
LunchLocation: Restaurant Astoria
Location: Restaurant Astoria
Address: Hotel Astoria Luxury & SPA, Gjilan | Event Map | Venue Accessibility Once we arrive in Gjilan, enjoy an organised lunch break at a local restaurant. This lunch is covered by the organisers. |
| 15:30-17:00 | 21 |
The Shadow GardenLocation: City Theater of Gjilan
Location: City Theater of Gjilan
Address: Teatri i Gjilanit, Gjilan | Event Map | Venue Accessibility Language: Albanian with English subtitles ‘We firmly believe that the most powerful response to evil and injustice is to share our story. Through it, we aim to preserve our history, educate, inspire, empower, and contribute to our pursuit of justice. This theatrical rendition is especially meaningful, shedding light on our lives before and after the tragic massacre, not just the event itself.’ – Fatos Bogujevci. The play tells the story of the Bogujevci family: the first children to give evidence in a war crimes tribunal. This tribunal gives shape to the shifting narrative, slipping between time, place, reality and imagination. The shadow garden exists on stage as a parallel world of memory and alternate futures. With one foot in Manchester and one in Kosovo, the family occupies a very private space in a very public arena. Through the children who survived, we learn about their loss and the resilience it takes to seek justice against the odds. Accounts of war are largely dominated by male military voices; this play celebrates the kind of power that doesn’t just sit in the weight of a gun. Duration: 1h30m Genre: Theatre Credits: Written by: Sarah Hehir The Shadow Garden is a collaborative, multi-media show developed with an international team and produced by Gjilan Theatre. Get in touchProduction contact: erson.zymberi@gmail.com |
| 17:00-18:30 | 18 |
Bus to PrishtinaMeeting point: City Theater of Gjilan
Meeting point: City Theater of Gjilan
Address: Teatri i Gjilanit, Gjilan | Event Map | Venue Accessibility |
| 20:00-21:15 | 21 |
Gadjo (The Young Europeans)Location: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility Language: Albanian with English subtitles In Kosovo in 2019, a series of physical assaults on a Roma woman were reported. She was a refugee, who a few weeks previously had been forcibly removed from Belgium to Kosovo and was now trying to adapt to a new society and environment. A few days after her return, when she decided to leave the refugee centre in Podujeva, a local media outlet released a false news item about ‘a man who looks like a woman who is stealing children in Kosovo’. The unverified report quickly spread to other media outlets in Kosovo and Albania. As a result, the Roma woman was attacked and brutally assaulted by a group of young people from various towns. ‘Gadjo’ (a term used by the Roma to describe the non-Roma) aims to encourage a debate about racism and violent extremism amongst young people. It also aims to research and analyse this century of ignorance and intolerance that is encouraged and promoted by an irresponsible media, in a chaotic and out-of-control media landscape, where the need for ‘clicks’ has transformed into an overarching purpose. ‘Gadjo' challenges and confronts our societies about the Roma, the myths about them and their position in our societies - where racism and contempt are deeply embedded in our consciousness. Gadjo is a play for all those young people, who with 'courage' and 'determination' are embracing this century of violence and impatience to which we - and most of all our media and our schools - have all contributed to. Duration: 1h15m Genre: Theatre Credits: Written by: Jeton Neziraj In association with Qendra Multimedia (Prishtina) Get in touchProduction contact: info@qendra.org Status: Ready for touring |
| 21:30-00:00 | 18 |
Late Night Meeting PointLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility The meet-up space for IETM Caravan Kosovo participants. |
| 09:00-10:30 | 18 |
Bus to GjakovaMeeting point: Teatri ODA (ODA Theatre)
Meeting point: Teatri ODA (ODA Theatre)
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| 11:00-12:30 | 21 |
Measure for MeasureLocation: City Theatre Hadi Shehu
Location: City Theatre Hadi Shehu
Address: Rrugë Anton Kukeli 2 Gjakovë | Event Map | Venue Accessibility Language: Albanian with English subtitles Vienna is swarming with brothels and loose morality - but the Duke doesn't want to use his authority to clean up the city. He leaves dressed as a friar, leaving his deputy Angelo in charge of Vienna. Angelo is at first reluctant, but he soon starts to make changes. Angelo quickly condemns Claudio to death for immoral behaviour. Angelo offers to pardon Claudio if his sister Isabella sleeps with him. Isabella agrees, but has Angelo's fiance switch places with her. The Duke returns to spare Claudio, punishes Angelo and proposes to Isabella. Duration: 1h30m Genre: Theatre Credits: Written by: William Shakespeare In association with Bekim Fehmiu City Theater of Prizren Get in touchProduction contact: albulena.bokshi@rks-gov.net Status: Ready for touring |
| 13:00-15:00 | 18 |
LunchLocation: Restaurant Be Happy
Location: Restaurant Be Happy
Address: Remzi Pula 39 | Event Map | Venue Accessibility After the performance, enjoy an organised lunch break at a local restaurant. This lunch is at the participants' own cost. |
| 15:00-16:30 | 22 |
Visit to the Museum of Ms Ferdonije QerkeziLocation: The House of Ferdonije Museum
Location: The House of Ferdonije Museum
Address: 7 Martirët Qerkezi XK, Gjakovë 50000 | Event Map | Venue Accessibility On March 27 1999, Serbian Paramilitary Forces abducted Ferdonije Qerkezi's four sons and husband. They never returned alive. The remains of her husband and two of her sons are still missing. Ms Qerkezi has kept the house as it was when she was left behind completely alone, as a testament to a life that she remembers as a very happy and lively one, but also to the collective pain of the families of over 1,600 missing persons from the 1999 war in Kosovo. |
| 17:00-18:30 | 19 |
On Trends and the Determinability of ValuesLocation: City Theatre Hadi Shehu
Location: City Theatre Hadi Shehu
Address: Rrugë Anton Kukeli 2 Gjakovë | Event Map | Venue Accessibility The European theatre scene is diverse and encompasses a wide range of aesthetics and thematics. Within this scene, there are numerous distinctive and nuanced approaches and such heterogeneity is also reflected in the tastes and expectations of audiences in different regions and countries. We often hear of ‘German’, ‘French’, ‘Nordic’ or even ‘English’ or ‘Balkan’ theatre. These categorisations often imply specific aesthetics and thematic approaches, which are regarded as 'trends'. Who sets the stage to determine and guide these trends? Are there powers at play who have acquired a self proclaimed ‘quality control’? One might also ask - who decides what is put on stage? It is assumed that artists - with their instincts - are those who detect current topics, measure the societal pulses and create artistic works that respond to the needs of the audience. However, are they really free to choose, or is their ‘freedom of choice’ conditioned by external agendas of funders? In recent years, we have witnessed an emerging focus of theatre towards topics such as climate change, which is undoubtedly a positive development. However, to which extent are theatre creatives in Europe today free to follow their own gut feelings and artistic instincts, regardless of external agendas (even when they are important)? Together, we will explore the ultimate question: what is ‘hot’ in the European theatre scene today and who are the gatekeepers? Speakers Barbara Pocek, IETM/Glej Theatre, Slovenia Mark Yeoman, Stichting Noorderzon Festival, Ulricha Johnson, Swedish Performing Arts Coalition/Swedish ITI (Scensverige), Sweden Moderator Natasha Tripney, United Kingdom |
| 19:00-20:00 | 21 |
AntigonesLocation: Art Gallery of the City of Gjekova
Location: Art Gallery of the City of Gjekova
Address: Rrugë Anton Kukeli 2 Gjakovë | Event Map | Venue Accessibility Language: Albanian with English subtitles This adaptation of Sophocles’ Antigone for this Hadi Shehu theatre production is a unique take. Through an intentional merge of the two plays (Sophocles and Anoulih’s), new performative material has been created for this production - more intense and ‘redecorated’ with some ‘fresh pain’ - that proves once again that the fate of humans, just like human dramas and tragedies, repeat themselves. The show draws attention to the patriarchy, not only as an oppressive system of power and as an obstructor to social development and prosperity, but also as a form of oppression of one of the most sublime feelings: the human need to remember. This Antigones is a testament to the mothers - the women of Kosovo, who with determination challenge forgetfulness and social arrogance. When our memory forgets the terror and misery of pain and suffering, we find it again in the eyes of these women - the women of Kosovo, the women of Gjakova. Duration: 1h30m Genre: Theatre Credits: Written by: Sophocles & Jan Anouilh Get in touchProduction contact: albulena.bokshi@rks-gov.net Status: Ready for touring |
| 20:00-21:30 | 18 |
Bus to PrishtinaMeeting point: City Theatre Hadi Shehu
Meeting point: City Theatre Hadi Shehu
Address: Rrugë Anton Kukeli 2 Gjakovë | Event Map | Venue Accessibility |
| 21:30-00:00 | 18 |
Late Night Meeting PointLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility The meet-up space for IETM Caravan Kosovo participants. |
| 14:00-15:30 | 21 |
ArbriLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility Language: Albanian with English subtitles ‘Arbri’ is a show inspired by Florian Zeller’s film ‘The Father’, which explores the fate of an elderly man suffering from dementia and the dilemmas faced by his daughter in caring for him. ‘Arbri’ - the elderly father - symbolises the Albanian people as well as the ‘dementia’ or national amnesia that has captivated the nation in regards to its own identity and past. Duration: 1h30m Genre: Theatre Credits: Written and directed by: Lirak Çelaj Get in touchProduction contact: Florent Mehmeti Status: Ready for touring |
| 16:00-17:30 | 19 |
Perform Europe Info SessionLocation: National Theatre of Kosovo
Location: National Theatre of Kosovo
Address: Teatri Kombëtar | Event Map | Venue Accessibility From 2023-2026, Perform Europe will support sustainable, inclusive, balanced and innovative touring of performing arts works in the Creative Europe countries. This info session will offer Caravan participants an opportunity to learn about the planned activities and the Perform Europe Open Call, which will grant €2,1 million to a minimum of 35 touring partnerships. Perform Europe is funded by the European Union and is lead by IETM, Circostada, EDN, EFA, Pearle* and IDEAconsult. Speaker: Ása Richardsdóttir, IETM, Belgium/Iceland |
| 18:00-19:00 | 21 |
A Short History of Burgers and Other ThingsLocation: Dodona Puppet Theatre
Location: Dodona Puppet Theatre
Address: M57C+R59, Afrim Loxha, Prishtina | Event Map | Venue Accessibility Language: English ‘A Short History of Burgers and Other Stories’ is a monodrama performed by Dutch actor Simon Versnel, a longtime member of the Belgian dance theatre troupe ‘Peeping Tom’. This play tells several stories inspired by the memories of one boy about the traumatic events that impacted his understanding of reality. The author deals with the questions of guilt, love, sexuality and his own relationship with the world. ‘A Short History of Burgers and Other Stories’ is - amongst other things - the result of a three-year-long research project of the author which deals with the memory after death, done in cooperation with the DAS Theatre from Amsterdam. This play was supported by Serbia Creates and the city of Amsterdam. Duration: 1 hour Genre: Theatre Credits: Project by: Andrej Nosov Get in touchProduction contact: aleksandra@heartefact.org Status: Ready for touring |
| 20:00-00:00 | 18 |
Closing receptionLocation: Teatri ODA (ODA Theatre)
Location: Teatri ODA (ODA Theatre)
Address: Pallati i Rinisë dhe Sporteve, 10030 Prishtinë | Event Map | Venue Accessibility Open-buffet dinner with traditional Kosovar food. |
| 12:00-19:30 | 22 |
Optional day trip to PrizrenLocation: Prizren
Location: Prizren
This last day to Prizren is optional but requires you to reserve your spot in order for us to plan the shuttles according to the number of participants. Adding this activity to your schedule does not count as a registration. Please reserve your spot via the button below. Deadline to register: 12 October
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