International network
for contemporary
performing arts

Réseau international
pour les arts du spectacle
contemporains

Rete internazionale
per le arti performative
contemporanee

コンテンポラリー
パフォーミングアーツ
国際ネットワーク

Internationales Netzwerk
für zeitgenössische
darstellende Künste

Международная сеть современного 
исполнительского 
искусства

Red internacional
para las artes escénicas
contemporáneas

Internationaal netwerk
voor hedendaagse
podiumkunsten

თანამედროვე საშემსრულებლო
ხელოვნების
საერთაშორისო ქსელი

Rede internacional
para as artes performativas
contemporâneas

الشبكة الدولية
لفنون الأداء
المعاصرة

Alþjóðlegt
tengslanet
í sviðslistum

Xarxa internacional
d'arts escèniques
contemporànies

Rhwydwaith rhyngwladol
ar gyfer celfyddydau
perfformio cyfoes

Rrjeti ndërkombëtar
për artet skenike
kontemporane

Διεθνές δίκτυο
για σύγχρονες
παραστατικές τέχνες

Međunarodna mreža 
za savremene 
scenske umjetnosti

Mezinárodní síť 
pro současné 
divadelní umění

International netværk
for kontemporær
scenekunst

Internasionale netwerk
vir kontemporêre
uitvoerende kunste

თანამედროვე საშემსრულებლო
ხელოვნების
საერთაშორისო ქსელი

Nemzetközi hálózat
a kortárs
előadóművészetért

國際當代表演藝術網絡

líonra idirnáisiúnta
na taibhealaíona
comhaimseartha

Starptautiskais tīkls
laikmetīgai
skatuves mākslai

Netwerk internazzjonali
għall-arti performattivi
kontemporanji

Międzynarodowa sieć
na rzecz współczesnych sztuk
performatywnych

Internationellt nätverk
för samtida
scenkonst

Međunarodna mreža
savremenih izvođačkih
umetnosti

Международна мрежа
за съвременни
сценични изкуства

Rrjet ndërkombëtar
për arte skenike
bashkëkohore

Міжнародная сетка
сучасных
перфарматыўных мастацтваў

Međunarodna mreža
za suvremene
izvedbene umjetnosti

国际当代表演艺术网络

Rahvusvaheline
kaasaegsete etenduskunstide
võrgustik

현대 공연 예술을 위한 국제 네트워크

Tarptautinis tinklas
šiuolaikinis
scenos menai

Интернационална мрежа
за современа
изведувачка уметност

شبکۀ بین المللی
برای هنرهای نمایشی معاصر

Rețeaua internațională
pentru artele spectacolului
contemporan

Medzinárodná sieť
pre súčasné
scénické umenie

Çağdaş
gösteri sanatları için
uluslararası iletişim ağı

Rehearsing freedom
Why should we discuss the question of freedom within the condition of neo-liberal societies? Is the question of freedom still relevant after all emancipatory movements in 20th century, after the fall of Berlin wall, after global march of democracy, last but not least after postmodernist denial of utopian thinking? 

Learning session 1: Rehearsing freedom with your team
The world of the performing arts is, by definition, a social and communal one. It takes a team of people working together to make a performance happen, and even the performance itself is
arguably void without the presence of the audience. Therefore collaboration is a necessity of our world, and having the skills to be an effective collaborator, either in the rehearsal room, or in the office, can mean the difference between a successful project, and a forgotten one. A minimum of understanding and training in the skill of working together can make a huge difference in the life of a company, project, or organization.

Working group A1: I Speak Through my Programme
The panel consisted of three programmers who use the platform of their professions to champion artists, encourage the development of new forms, and hopefully, to influence an audience and
thereby, a culture. Each shared his/her biography and history within the field, and some of their main aims and ambitions as a programmer.

Panel C: Be Creative! Be Free! Be... an Artist!
The meeting began exuberantly, with a suggested amendment to the title of this panel discussion- Be creative! Be free! Be an artist! …or SHUT UP! This addition was in response to the new trend of championing the qualities and merits of being an artist, without actually experiencing the reality of the struggle to live an artistic life within the constraints of a Neo-liberalistic society- the main
subject of the discussion.

A Quick Trip to Ljubljana: a personal account of the Ljubljana Plenary Meeting by Jim Haynes
A shuttle picks me up and we ride one minute up the street and parks in front of Paul & Carol Roussopoulos’s home in the Villa Seurat. A fellow comes out and gets into our small van. His name is Olivier and we drive him to a suburb in the south east of Paris. When he leaves us, we speed to CdG 1. After clearing passport and security control, I continue to the Adria Airways gate area. There I learn that the flight will be late departing. Settle down to reading that summer in paris. A woman named Anna Mortley is supposed to be flying with me to our IETM conference. But there are so many people waiting to board aircraft that it is impossible to know who it might be.

Notes and report by Mark Leahy
A sunny week in Ljubljana where I caught up with people I hadn't seen for some time, in an intense flurry of seeing thrilling and varied work, thinking about the work of the students I was travelling with, and being excited by the ideas raised in panels and discussions and conversations...

Final report: Participants' evaluation
The Plenary Meeting in Ljubljana counted a total of 408 registered participants coming from 42 different countries, 30 European countries and 12 countries from outside of Europe. From the total
delegates 28% came from Slovenia, 63% from elsewhere in Europe and 6% from outside of Europe.