10:00-17:00 |
18 |
Accreditation desk
Théâtre des Célestins, Atrium
Théâtre des Célestins, Atrium
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
The IETM Lyon accreditation desk is located in the Atrium of the Théâtre des Célestins. Make it your first port of call to collect your badge, and ask any questions about the sessions or about how to get around in Lyon.
|
10:00-17:00 |
18 |
Accreditation desk
Théâtre des Célestins, Atrium
Théâtre des Célestins, Atrium
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
The IETM Lyon accreditation desk is located in the Atrium of the Théâtre des Célestins. Make it your first port of call to collect your badge, and ask any questions about the sessions or about how to get around in Lyon.
|
10:00-17:00 |
18 |
Daytime meeting space
Théâtre des Célestins, Bar L’Étourdi
Théâtre des Célestins, Bar L’Étourdi
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
Located in Théâtre des Célestins, the Bar L'Étourdi is a space for you to take a break between or during sessions. You may want to have a moment to reflect on what you’ve seen or heard, explore possible collaborations with your international peers, or grab a coffee or tea. It’s your space!
|
10:00-17:00 |
18 |
Daytime meeting space
Théâtre des Célestins, Bar L’Étourdi
Théâtre des Célestins, Bar L’Étourdi
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
Located in Théâtre des Célestins, the Bar L'Étourdi is a space for you to take a break between or during sessions. You may want to have a moment to reflect on what you’ve seen or heard, explore possible collaborations with your international peers, or grab a coffee or tea. It’s your space!
|
10:30-16:00 |
19 |
Open Forum - A space to generate collective intelligence
H7
Location: H7, 70 Quai Perrache, 69002 Lyon, France | Event Map | Venue Accessibility
Adding this session to your schedule does not register you for the session. Please register through the button below.
Pre-register here
Trans(-)Missions(s) / Transition / Exchange / Transfer! / Passage?
What do we envision as the modalities of exchange of the future? What will trans-mission(s) mean for future generations of artists, performing arts professionals, the communities who benefit from our practices, as well as future generations of audiences?
This Open Forum is supposed to explore the idea of transmission in all its possible meanings. Think about the myriad of different discussions we can have around knowledge, experience and communication. Think about the intergenerational and peer-to-peer dialogues, the questions about artistic education, training, heritage, around the mechanism of power transfer and rites of passage.
This Open forum is dedicated to building a frame for conversations and collective outputs about the issues that hold the future of the performing arts sector in Europe and around the world.
Participants will be invited to work together about this theme, coming up with the topic that they want to place on the agenda themselves and sharing thoughts in the frame of self-managed workshops.
At the end of this session, all the groups will be able to meet, debrief and exchange about this collective experience.
A lunch break is planned for from 13:30 to 14:30 and we will have some morning coffee and snacks around 11:00.
Facilitator
Herman Bashiron Mendolicchio, Researcher, Writer, editor and Curator, Spain
|
10:30-16:00 |
19 |
Open Forum - A space to generate collective intelligence
H7
Location: H7, 70 Quai Perrache, 69002 Lyon, France | Event Map | Venue Accessibility
Adding this session to your schedule does not register you for the session. Please register through the button below.
Pre-register here
Trans(-)Missions(s) / Transition / Exchange / Transfer! / Passage?
What do we envision as the modalities of exchange of the future? What will trans-mission(s) mean for future generations of artists, performing arts professionals, the communities who benefit from our practices, as well as future generations of audiences?
This Open Forum is supposed to explore the idea of transmission in all its possible meanings. Think about the myriad of different discussions we can have around knowledge, experience and communication. Think about the intergenerational and peer-to-peer dialogues, the questions about artistic education, training, heritage, around the mechanism of power transfer and rites of passage.
This Open forum is dedicated to building a frame for conversations and collective outputs about the issues that hold the future of the performing arts sector in Europe and around the world.
Participants will be invited to work together about this theme, coming up with the topic that they want to place on the agenda themselves and sharing thoughts in the frame of self-managed workshops.
At the end of this session, all the groups will be able to meet, debrief and exchange about this collective experience.
A lunch break is planned for from 13:30 to 14:30 and we will have some morning coffee and snacks around 11:00.
Facilitator
Herman Bashiron Mendolicchio, Researcher, Writer, editor and Curator, Spain
|
11:00-12:00 |
18 |
Newsround
Théâtre des Célestins
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
Our long-missed Newsround session is a series of short (max 3-min) presentations of projects under development from IETM members and local participants. Some of them are looking for partners; some others need feedback.
Rather than a platform where to promote a work for touring, Newsround is a space where to share ideas and the starting point of long-term relationships. The benefit of this space is to find your future partners, gain an overview of what’s on and share new models of cooperation and best practices realised within the network.
Moderator
Cathie Boyd, IETM President, Cryptic, UK
Projects to be presented:
SOLO BUT NOT ALONE - Empowering Italian circus artistry abroad
Gaia Vimercati, Quattrox4, Milan, Italy
myStage
Xavier Granada - myStage - Spain
Anatomalia
Meagan O'Shea, Stand Up Dance, Germany/Canada
Vasudeva
Dirk Korell, Camin Aktion, France
The Irregular Salon
Jenny Wilson, Irregular Arts, UK
Horos (working title)
Matteo Lanfranchi, Effetto Larsen, Italy
TRIGGER 2022
Barbara Poček, Gledalisce Glej, Slovenia
Rame
Lorena Dozio, Plateforme Crile, France/Italy
TINA Agency
Laia Montoya, TINA Agency, Germany
Première communion de jeunes filles chlorotiques par un temps de neige
Daniel Fernandez, Compagnie Daniel Fernandez, Italy/Spain
Rider Spoke
Anne Rupert, Blast Theory, UK
International Playable Theatre Lab (TBC)
Tom Mansfield, Upstart Theatre, UK
|
11:00-12:00 |
18 |
Newsround
Théâtre des Célestins
Address: 4 Rue Charles Dullin, 69002 Lyon | Event Map | Venue Accessibility
Our long-missed Newsround session is a series of short (max 3-min) presentations of projects under development from IETM members and local participants. Some of them are looking for partners; some others need feedback.
Rather than a platform where to promote a work for touring, Newsround is a space where to share ideas and the starting point of long-term relationships. The benefit of this space is to find your future partners, gain an overview of what’s on and share new models of cooperation and best practices realised within the network.
Moderator
Cathie Boyd, IETM President, Cryptic, UK
Projects to be presented:
SOLO BUT NOT ALONE - Empowering Italian circus artistry abroad
Gaia Vimercati, Quattrox4, Milan, Italy
myStage
Xavier Granada - myStage - Spain
Anatomalia
Meagan O'Shea, Stand Up Dance, Germany/Canada
Vasudeva
Dirk Korell, Camin Aktion, France
The Irregular Salon
Jenny Wilson, Irregular Arts, UK
Horos (working title)
Matteo Lanfranchi, Effetto Larsen, Italy
TRIGGER 2022
Barbara Poček, Gledalisce Glej, Slovenia
Rame
Lorena Dozio, Plateforme Crile, France/Italy
TINA Agency
Laia Montoya, TINA Agency, Germany
Première communion de jeunes filles chlorotiques par un temps de neige
Daniel Fernandez, Compagnie Daniel Fernandez, Italy/Spain
Rider Spoke
Anne Rupert, Blast Theory, UK
International Playable Theatre Lab (TBC)
Tom Mansfield, Upstart Theatre, UK
|
11:00-17:00 |
19 |
Villeurbanne Parcours [FULL]
Villeurbanne
Meeting point: Pôle PIXEL, 36 Rue Emile Decorps, 69100 Villeurbanne | Event Map | Venue Accessibility
The Villeurbanne Parcours reached full capacity, it is therefore not possible to pre-register for this Parcours anymore. Adding this Parcours to your schedule does not register you for the Parcours. Please pre-register for another Parcours or for the Open Forum if you have not pre-registered yet.
Maximum capacity: 50 participants
In Villeurbanne, we will be talking about how to support emergence and the structural challenges at hand. The question of structural changes will then lead us to a reflection about gender and power relations. The Villeurbanne parcours will include an essential discussion in the frame of our overarching theme of Trans-mission(s): What type of structural changes have we seen following the #MeToo movement in the cultural sector? How else can we still improve?
IETM Board members attending this Parcours:
Barbara Poček, Glej Theatre, Slovenia
Davide D'antonio, Associazione ETRE, Italy
Toni Gonzalez, Escena Internacional Bcn, Spain
IETM Advisors attending this Parcours:
Isa Köhler, Internationale Tanzmesse NRW, Germany
Susanne Danig, Danig Performing Arts Service/BIRCA – Bækkelund International Residency Center for Artists, Denmark
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Villeurbanne programme
11:00 -12:00 |
Visit of Lablab
Location: Pôle PIXEL, 36 Rue Emile Decorps, 69100 Villeurbanne | Event Map | Venue Accessibility
Digital technologies are an integral part of the performance world and are changing our relationship to performance. We invite you to visit a space where art, research and technology are working in the same effervescence, where artistic creation rhymes with social innovation.
The LabLab is an artistic laboratory, a research and creation space for new audiovisual, immersive and interactive experiences. This creative hive brings together a community of makers in the arts and digital technology: it stimulates the mutualisation of spaces, equipment, technologies and skills through the dynamics of sharing and mutual support.
A visit of this digital creation space will be proposed by the two co-sponsors: AADN, which works for the development of digital arts and culture, and Theoriz studio, creators of state-of-the-art digital experiential environments. We will be able to meet some of the LabLab's residents: Natacha Paquignon, who develops a choreographic and digital language based on interactive devices designed for dance, and the visual artist Margot Raymond.
|
13:30 - 15:00
|
Supporting emergence in the performing arts: what do we really need?
Location: Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon, 69100 Villeurbanne | Event Map | Venue Accessibility
Passing on, training, mentoring, supporting... In a context of uncertain recomposition, how can we help young actors in the performing arts to make their way? What can their more experienced colleagues bring to emerging artists and professionals? And to what end?
Starting from the example of inspiring approaches and testimonies, this participative conversation will allow us to identify the first needs of emerging artists and professionals in a complex environment and to share knowledge about possible and effective forms of support for their development.
Speakers
Marie-Laurence Sakael, Auvergne-Rhône-Alpes Spectacle Vivant, France
Martha Spinoux, Théâtre des Clochards Célestes , France
Marie Le Sourd, On the Move, Belgium / Partner for the ERASMUS+ Learning Trajectories project
Toni Gonzalez, Consultant on international development, Spain
Moderator
Nicolas Bertrand, Consultant, France
|
15:30 - 17:00 |
#METOO in the Cultural sector: from call-outs to structural change
Location: Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon, 69100 Villeurbanne | Event Map | Venue Accessibility
No matter how atrocious and particular #MeToo cases are, they are never only related to an individual perpetrator. Sexual harassment and sexual abuse are forms of structural violence and are thus deeply entangled with the dominant gender, racial, economic and power structures.
Following an online session held as part of the SHIFT – Shared Initiatives for Training on October 6, this participatory discussion will dive deeper into sexual harassment, bullying and power abuse in the European art field and focus on the steps networks can take together to combat sexual harassment and power abuse.
Read the preparatory DOCUMENT
Speakers and Researchers:
Marta Keil, Performing Arts Curator / IETM, Poland
Katie Kheriji-Watts, On the Move, Belgium
Moderators:
Marie Le Sourd, On the Move, Belgium
Ása Richardsdóttir, IETM, Belgium
|
17:00 - 18:00
|
Closing drink
Location: Brasserie of Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon 69100 Villeurbanne | Event Map | Venue Accessibility
An informal closing of the day where you can exchange with other participants and speakers around a drink.
|
|
11:00-17:00 |
19 |
Villeurbanne Parcours [FULL]
Villeurbanne
Meeting point: Pôle PIXEL, 36 Rue Emile Decorps, 69100 Villeurbanne | Event Map | Venue Accessibility
The Villeurbanne Parcours reached full capacity, it is therefore not possible to pre-register for this Parcours anymore. Adding this Parcours to your schedule does not register you for the Parcours. Please pre-register for another Parcours or for the Open Forum if you have not pre-registered yet.
Maximum capacity: 50 participants
In Villeurbanne, we will be talking about how to support emergence and the structural challenges at hand. The question of structural changes will then lead us to a reflection about gender and power relations. The Villeurbanne parcours will include an essential discussion in the frame of our overarching theme of Trans-mission(s): What type of structural changes have we seen following the #MeToo movement in the cultural sector? How else can we still improve?
IETM Board members attending this Parcours:
Barbara Poček, Glej Theatre, Slovenia
Davide D'antonio, Associazione ETRE, Italy
Toni Gonzalez, Escena Internacional Bcn, Spain
IETM Advisors attending this Parcours:
Isa Köhler, Internationale Tanzmesse NRW, Germany
Susanne Danig, Danig Performing Arts Service/BIRCA – Bækkelund International Residency Center for Artists, Denmark
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Villeurbanne programme
11:00 -12:00 |
Visit of Lablab
Location: Pôle PIXEL, 36 Rue Emile Decorps, 69100 Villeurbanne | Event Map | Venue Accessibility
Digital technologies are an integral part of the performance world and are changing our relationship to performance. We invite you to visit a space where art, research and technology are working in the same effervescence, where artistic creation rhymes with social innovation.
The LabLab is an artistic laboratory, a research and creation space for new audiovisual, immersive and interactive experiences. This creative hive brings together a community of makers in the arts and digital technology: it stimulates the mutualisation of spaces, equipment, technologies and skills through the dynamics of sharing and mutual support.
A visit of this digital creation space will be proposed by the two co-sponsors: AADN, which works for the development of digital arts and culture, and Theoriz studio, creators of state-of-the-art digital experiential environments. We will be able to meet some of the LabLab's residents: Natacha Paquignon, who develops a choreographic and digital language based on interactive devices designed for dance, and the visual artist Margot Raymond.
|
13:30 - 15:00
|
Supporting emergence in the performing arts: what do we really need?
Location: Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon, 69100 Villeurbanne | Event Map | Venue Accessibility
Passing on, training, mentoring, supporting... In a context of uncertain recomposition, how can we help young actors in the performing arts to make their way? What can their more experienced colleagues bring to emerging artists and professionals? And to what end?
Starting from the example of inspiring approaches and testimonies, this participative conversation will allow us to identify the first needs of emerging artists and professionals in a complex environment and to share knowledge about possible and effective forms of support for their development.
Speakers
Marie-Laurence Sakael, Auvergne-Rhône-Alpes Spectacle Vivant, France
Martha Spinoux, Théâtre des Clochards Célestes , France
Marie Le Sourd, On the Move, Belgium / Partner for the ERASMUS+ Learning Trajectories project
Toni Gonzalez, Consultant on international development, Spain
Moderator
Nicolas Bertrand, Consultant, France
|
15:30 - 17:00 |
#METOO in the Cultural sector: from call-outs to structural change
Location: Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon, 69100 Villeurbanne | Event Map | Venue Accessibility
No matter how atrocious and particular #MeToo cases are, they are never only related to an individual perpetrator. Sexual harassment and sexual abuse are forms of structural violence and are thus deeply entangled with the dominant gender, racial, economic and power structures.
Following an online session held as part of the SHIFT – Shared Initiatives for Training on October 6, this participatory discussion will dive deeper into sexual harassment, bullying and power abuse in the European art field and focus on the steps networks can take together to combat sexual harassment and power abuse.
Read the preparatory DOCUMENT
Speakers and Researchers:
Marta Keil, Performing Arts Curator / IETM, Poland
Katie Kheriji-Watts, On the Move, Belgium
Moderators:
Marie Le Sourd, On the Move, Belgium
Ása Richardsdóttir, IETM, Belgium
|
17:00 - 18:00
|
Closing drink
Location: Brasserie of Théâtre National Populaire (TNP), 8 Pl. du Dr Lazare Goujon 69100 Villeurbanne | Event Map | Venue Accessibility
An informal closing of the day where you can exchange with other participants and speakers around a drink.
|
|
14:00-17:30 |
19 |
Meeting point: Mémo (Médiathèque Municipale d’Oullins), Rue de la République, 69600 Oullins | Event Map
Adding this Parcours to your schedule does not register you for the Parcours. Please register for the Oullins Parcours through the button below.
Pre-register FOR this parcours here
Maximum capacity: 50 participants
In the Oullins parcours, participants will be able to discover the urban development project of the quartier de la Saulaie and explore the role of the arts in building the relationship between the urban space and the communities that inhabit it. In this programme, participants will also be able to join the IETM Participatory and Immersive Creation (PIC) Group about the relationship between the arts and the urban space.
IETM Advisors attending this Parcours:
Frédéric Poty, Théâtre de la Massue, France
Florent Mehmeti, ODA Theatre, Kosovo
Aniko Racz, SÍN Arts and Culture Centre, Hungary
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Oullins Programme
14:00 -15:30 |
Visit of the neighbourhood of La Saulaie
Meeting point: Mémo (Médiathèque Municipale d’Oullins), Rue de la République, 69600 Oullins | Event Map
Grounded between the railway and the A7 motorway, La Saulaie is an old working-class district that used to be home to the SNCF railway workshops. Between industrial wastelands and run-down buildings, the Metropolis of Lyon and the Municipality of Oullins are designing a "revitalised sustainable eco-district". Rehabilitation, transformation, development... The urban development project is planned over a dozen years with the aim of improving the living environment, opening up the city centre and improving connections with the urban area.
How do the inhabitants participate in defining this urban project? What role do performing arts and culture play in this transformation? The actors of the urban project will guide us through the district of La Saulaie, its history and the projects that are being drawn up, its working class culture and the culture that could be invented there.
Guides
Camille Fiorucci, SERL
Fabien Yvorel, Ville d’Oullins
|
16:00 -17:30 |
Participatory and Immersive Creation Group Workshop
Location: Bac à Sable, 42 rue Gabriel Péri, La Mulatière, 69600 Oullins | Event Map | Venue Accessibility
The Participatory and Immersive Creation group (PIC) aims to provide a space for IETM members to tackle central issues we face in creating, presenting and producing these genres of work. The sessions take the form of open discussions, experience sharing, and creative exchanges.
In the frame of the IETM Lyon Parcours on art and urban development, this participatory workshop will aim to engage participants around the relation between space, local communities and the arts.
Moderators
Matteo Lanfranchi, Effetto Larsen, Italy
Isadora Bigazzi, Effetto Larsen, Italy
|
|
14:00-18:00 |
19 |
Bron Parcours
Association Pôle Pick
Address: 2 Rue Paul Pic, 69500 Bron | Event Map | Venue Accessibility
Adding this Parcours to your schedule does not register you for the Parcours. Please register for the Bron Parcours through the button below.
Pre-register For this parcours here
Maximum capacity: 50 participants
The Bron Parcours will tackle questions of popular culture, local practices and artistic communities, institutional recognition and education through the example of Hip-Hop and its practitioners. You will get to know the local scene and hear about their locally rooted practice.
IETM Board members attending this Parcours:
Susanne Naess Nielsen, Dansearena nord, Norway
IETM Advisors attending this Parcours:
Bek Berger, New Theatre Institute of Latvia, Latvia
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Bron Programme
14:00 - 14:30 |
Welcome words and the Spectator’s warm-up
Meet us at 14:00 sharp for a warm-up with the dancers from our hosting venue, Pôle Pick.
Speaker
Catherine Guiraud, Pôle en Scènes, France
Warm-up
Christophe Gellon, Compagnie Voltaïk, France
|
14:30 - 15:30 |
How does a performing art practice develop locally?
This session will revolve around artistic education in secondary schools, amateur practices by students and hip-hop battles at university, support for the professionalisation of young artistic teams and their creative projects. We will meet several actors of this local ecosystem to discover the richness of their relationships and the cultural vitality that results from it.
Speakers
Catherine Guiraud, Pôle en Scènes, France
Virginie Chrometon and secondary school students,Collège Monod, France
Orégane Le Nir and Camille Lombardo, Compagnie Karthala, France
Pascal Solli, Lyon 2 University, France
|
15:30 -16:00 |
From street to stage, from the 80s to today, the artistic journey of a professional hip-hop dancer
In this session, we will follow the artistic journey of Kader Belmoktar, professional dancer from Compagnie Käfig, and the journey of Hip-Hop as an established artistic genre.
Led by the choreographer Mourad Merzouki, a figure in the Hip-Hop movement since the early 1990s, Pôle Pick is a meeting place and creative centre located in the working-class district of Bron-Parilly, from which a dynamic community of hip-hop dance practitioners has been developing for several years.
Speaker
Kader Belmoktar, Compagnie Käfig, France
Moderator
Valérie de Saint-Do, journalist, author and theatre critic, France
|
16:15 - 17:30 |
What lessons can we learn from Hip-hop?
What can we learn from the locally rooted journey of this dance genre – from the issues, values and practices that are relevant for this sector? Through this exchange, we will explore how a more horizontal vision of artistic expressions can be developed on a local scale, while connecting different practices.
Speakers
Nadège Cunin, Ecole du Cirque de Lyon, France
Esteban Moreno, Union Tanguera, France and Argentina
Géraldine Bénichou, Théâtre du Grabuge, France
Moderator
Valérie de Saint-Do, journalist, author and theatre critic, France
|
17:30 - 18:00 |
Closing drink
An informal closing of the day where you can exchange with other participants and speakers around a drink.
|
|
14:00-18:00 |
19 |
Bron Parcours
Association Pôle Pick
Address: 2 Rue Paul Pic, 69500 Bron | Event Map | Venue Accessibility
Adding this Parcours to your schedule does not register you for the Parcours. Please register for the Bron Parcours through the button below.
Pre-register For this parcours here
Maximum capacity: 50 participants
The Bron Parcours will tackle questions of popular culture, local practices and artistic communities, institutional recognition and education through the example of Hip-Hop and its practitioners. You will get to know the local scene and hear about their locally rooted practice.
IETM Board members attending this Parcours:
Susanne Naess Nielsen, Dansearena nord, Norway
IETM Advisors attending this Parcours:
Bek Berger, New Theatre Institute of Latvia, Latvia
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Bron Programme
14:00 - 14:30 |
Welcome words and the Spectator’s warm-up
Meet us at 14:00 sharp for a warm-up with the dancers from our hosting venue, Pôle Pick.
Speaker
Catherine Guiraud, Pôle en Scènes, France
Warm-up
Christophe Gellon, Compagnie Voltaïk, France
|
14:30 - 15:30 |
How does a performing art practice develop locally?
This session will revolve around artistic education in secondary schools, amateur practices by students and hip-hop battles at university, support for the professionalisation of young artistic teams and their creative projects. We will meet several actors of this local ecosystem to discover the richness of their relationships and the cultural vitality that results from it.
Speakers
Catherine Guiraud, Pôle en Scènes, France
Virginie Chrometon and secondary school students,Collège Monod, France
Orégane Le Nir and Camille Lombardo, Compagnie Karthala, France
Pascal Solli, Lyon 2 University, France
|
15:30 -16:00 |
From street to stage, from the 80s to today, the artistic journey of a professional hip-hop dancer
In this session, we will follow the artistic journey of Kader Belmoktar, professional dancer from Compagnie Käfig, and the journey of Hip-Hop as an established artistic genre.
Led by the choreographer Mourad Merzouki, a figure in the Hip-Hop movement since the early 1990s, Pôle Pick is a meeting place and creative centre located in the working-class district of Bron-Parilly, from which a dynamic community of hip-hop dance practitioners has been developing for several years.
Speaker
Kader Belmoktar, Compagnie Käfig, France
Moderator
Valérie de Saint-Do, journalist, author and theatre critic, France
|
16:15 - 17:30 |
What lessons can we learn from Hip-hop?
What can we learn from the locally rooted journey of this dance genre – from the issues, values and practices that are relevant for this sector? Through this exchange, we will explore how a more horizontal vision of artistic expressions can be developed on a local scale, while connecting different practices.
Speakers
Nadège Cunin, Ecole du Cirque de Lyon, France
Esteban Moreno, Union Tanguera, France and Argentina
Géraldine Bénichou, Théâtre du Grabuge, France
Moderator
Valérie de Saint-Do, journalist, author and theatre critic, France
|
17:30 - 18:00 |
Closing drink
An informal closing of the day where you can exchange with other participants and speakers around a drink.
|
|
14:00-17:30 |
19 |
Meeting point: Mémo (Médiathèque Municipale d’Oullins), Rue de la République, 69600 Oullins | Event Map
Adding this Parcours to your schedule does not register you for the Parcours. Please register for the Oullins Parcours through the button below.
Pre-register FOR this parcours here
Maximum capacity: 50 participants
In the Oullins parcours, participants will be able to discover the urban development project of the quartier de la Saulaie and explore the role of the arts in building the relationship between the urban space and the communities that inhabit it. In this programme, participants will also be able to join the IETM Participatory and Immersive Creation (PIC) Group about the relationship between the arts and the urban space.
IETM Advisors attending this Parcours:
Frédéric Poty, Théâtre de la Massue, France
Florent Mehmeti, ODA Theatre, Kosovo
Aniko Racz, SÍN Arts and Culture Centre, Hungary
Feel free to reach out to the IETM Board and Advisors to ask everything you always wanted to know about IETM!
Oullins Programme
14:00 -15:30 |
Visit of the neighbourhood of La Saulaie
Meeting point: Mémo (Médiathèque Municipale d’Oullins), Rue de la République, 69600 Oullins | Event Map
Grounded between the railway and the A7 motorway, La Saulaie is an old working-class district that used to be home to the SNCF railway workshops. Between industrial wastelands and run-down buildings, the Metropolis of Lyon and the Municipality of Oullins are designing a "revitalised sustainable eco-district". Rehabilitation, transformation, development... The urban development project is planned over a dozen years with the aim of improving the living environment, opening up the city centre and improving connections with the urban area.
How do the inhabitants participate in defining this urban project? What role do performing arts and culture play in this transformation? The actors of the urban project will guide us through the district of La Saulaie, its history and the projects that are being drawn up, its working class culture and the culture that could be invented there.
Guides
Camille Fiorucci, SERL
Fabien Yvorel, Ville d’Oullins
|
16:00 -17:30 |
Participatory and Immersive Creation Group Workshop
Location: Bac à Sable, 42 rue Gabriel Péri, La Mulatière, 69600 Oullins | Event Map | Venue Accessibility
The Participatory and Immersive Creation group (PIC) aims to provide a space for IETM members to tackle central issues we face in creating, presenting and producing these genres of work. The sessions take the form of open discussions, experience sharing, and creative exchanges.
In the frame of the IETM Lyon Parcours on art and urban development, this participatory workshop will aim to engage participants around the relation between space, local communities and the arts.
Moderators
Matteo Lanfranchi, Effetto Larsen, Italy
Isadora Bigazzi, Effetto Larsen, Italy
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18:00-19:30 |
21 |
Bureau des Dépositions
Les Subs (Les Subsistances)
Les Subs (Les Subsistances)
Address: 8 bis Quai Saint-Vincent, 69001 Lyon | Event Map | Venue accessibility
When the law, particularly the law of contracts, becomes the subject of art. In this performance, the ten co-authors from Conakry to Grenoble assert their contractual ties against the migration policies that try to separate them. Whether they have valid papers to stay in France, they are seeking asylum, or they are prohibited from staying here, they work together and invoke a principle of co-dependence. Enriched by meetings with legal system professionals, documentaries, archives and oral histories, this activism, which is both artistic and legal, highlights the need for acts of resistance.
Book your tickets here
Genre: Theatre
Price: 10€
Credits:
Co-authors: Mamy Kaba dit Fally Ipupa, Ousmane Kouyaté aka grand Kouyaté, Sarah Mekdjian dite Petite Cuillère, Mamadou Djoulde Balde dit Never Cry, Aliou Diallo dit Petite Citron, Laye Diakité, Marie Moreau dite Petite Pomme, Ben Bangoura, Pathé Diallo, Saâ Raphaël Moundekeno.
Co-direction: Festival Sens Interdits and les SUBS, lieu vivant d’expériences artistiques
Creation at Les SUBS as part of the Geyser call for projects with the Grütli, Geneva
Mentored by Yan Duyvendak
Performance in the frame of Festival Sens Interdits.
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18:00-19:30 |
21 |
Bureau des Dépositions
Les Subs (Les Subsistances)
Les Subs (Les Subsistances)
Address: 8 bis Quai Saint-Vincent, 69001 Lyon | Event Map | Venue accessibility
When the law, particularly the law of contracts, becomes the subject of art. In this performance, the ten co-authors from Conakry to Grenoble assert their contractual ties against the migration policies that try to separate them. Whether they have valid papers to stay in France, they are seeking asylum, or they are prohibited from staying here, they work together and invoke a principle of co-dependence. Enriched by meetings with legal system professionals, documentaries, archives and oral histories, this activism, which is both artistic and legal, highlights the need for acts of resistance.
Book your tickets here
Genre: Theatre
Price: 10€
Credits:
Co-authors: Mamy Kaba dit Fally Ipupa, Ousmane Kouyaté aka grand Kouyaté, Sarah Mekdjian dite Petite Cuillère, Mamadou Djoulde Balde dit Never Cry, Aliou Diallo dit Petite Citron, Laye Diakité, Marie Moreau dite Petite Pomme, Ben Bangoura, Pathé Diallo, Saâ Raphaël Moundekeno.
Co-direction: Festival Sens Interdits and les SUBS, lieu vivant d’expériences artistiques
Creation at Les SUBS as part of the Geyser call for projects with the Grütli, Geneva
Mentored by Yan Duyvendak
Performance in the frame of Festival Sens Interdits.
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19:00-21:40 |
21 |
Laboratoire Poison – Adeline Rosenstein
Théâtre National Populaire
Théâtre National Populaire
Address: 8 Place du Dr Lazare Goujon | Event Map | Venue Accessibility
Performance in French without subtitles.
“How can theatre, with its abridgements and clichés, be used to make something complex understandable?” – Adeline Rosenstein
Simultaneously a historical and aesthetic piece of research, Laboratoire Poison opens onto a vast site on which various resistance movements between 1943 and 1976 and their repression are depicted.
Is theatre capable of revealing certain shifts and weak points in various resistance movements, without actually damaging the sense of these struggles?
Adeline Rosenstein explores all the options of theatrical arts and tackles these questions head on to examine our need for glorious stories with honesty, humour and intelligence.
Book your tickets here
Enter the promo code IETMSI-2021 directly on the booking platform.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Theatre
Price: €14-25
Performance in the frame of Festival Sens Interdits.
Credits:
Author and director: Adeline Rosenstein
With : Aminata Abdoulaye Hama, Marie Alié, Marie Devroux, Salim Djaferi, Titouan Quittot, Thomas Durcudoy, Rémi Faure, Anna Raisson, Adeline Rosenstein, Michael Disanka, Christiana Tabaro, Habib Ben Tanfous.
Author and director assistant: Marie Devroux
Artistic Consultant: Léa Drouet
Technical manager: Jean-François Philips
Sound composer: Andrea Neumann & Brice Agnès
Space and costumes: Yvonne Harder
Lights: Arié Van Egmond
Documentation: Saphia Arezki
Hoctorical advisors: Jean-Michel Chaumont (Poison 1), Denis Leroux (Poison 2), Saphia Arezki
Production coordination: Hanna El Fakir
2021 Creation - 1st tour in France
Production: Halles de Schaerbeek et Théâtre Dijon Bourgogne - Centre Dramatique National
Tour Production: Halles de Schaerbeek
**Co-productions **: Maison Ravage, Festival de Marseille, Théâtre Océan Nord (Brussels), Festival Sens Interdits (Lyon), Théâtre des 13 vents CDN Montpellier Les Laboratoires d'Aubervilliers, La Balsamine (Brussels), Little Big Horn
Laboratoire Poison 2 a benefited from a long residence at Théâtre Océan Nord (Brussels)
Co-production: La Coop asbl et Shelter Prod
Supported by Taxshelter.be, ING and tax-shelter du gouvernement fédéral belge et du Centre Wallonie-Bruxelles / Paris et de Wallonie-Bruxelles International
With the help of Fédération Wallonie-Bruxelles
Tour manager: Habemus Papam - Cora-Line Lefèvre et Julien Sigard
Co-direction: Festival Sens Interdits and Théâtre National Populaire
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19:00-19:20 |
21 |
Wo-Man — Amala Dianor
Maison de la Danse
Address: 8 Av. Jean Mermoz, 69008 Lyon | Event Map | Venue accessibility
Wo-Man is the story of a beautiful encounter between dancer Nangaline Gomis and choreographer Amala Dianor, whom she asked to perform an extract from her solo Man Rec as part of her studies at the CNSMD in Lyon. The choreographer then reflected on the transmission of this solo created in 2014 and which has continued to tour on international stages ever since. Conceived as a dialogue between its multiple origins – from urban dances to contemporary dance – questioning the identity of the individual and their relationship to others, Man Rec is the founding piece of a hybrid and embodied writing which imposes its singularity in the landscape of contemporary dance.
Book your tickets here
Genre: Dance
Price: € 8
Credits:
Choreography : Amala Dianor
Performer : Nangaline Gomis
Music : Awir Leon
Lights : Nicolas Tallec
Coproduction Maison de la Danse / Pôle européen de création – DRAC Auvergne – Rhône-Alpes / ministère de la Culture ; Théâtre de la Ville, Paris ; Les Quinconces-L’espal scène nationale du Mans ; Bonlieu Annecy scène nationale ; Avec le soutien de la Ville d’Angers (en cours). Accueil en résidence Maison de la Danse ; les Quinconces - L’espal scène nationale du Mans ; Théâtre Chabrol, Angers.
This performance is happening in the framework of Festival Karavel.
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19:00-21:40 |
21 |
Laboratoire Poison – Adeline Rosenstein
Théâtre National Populaire
Théâtre National Populaire
Address: 8 Place du Dr Lazare Goujon | Event Map | Venue Accessibility
Performance in French without subtitles.
“How can theatre, with its abridgements and clichés, be used to make something complex understandable?” – Adeline Rosenstein
Simultaneously a historical and aesthetic piece of research, Laboratoire Poison opens onto a vast site on which various resistance movements between 1943 and 1976 and their repression are depicted.
Is theatre capable of revealing certain shifts and weak points in various resistance movements, without actually damaging the sense of these struggles?
Adeline Rosenstein explores all the options of theatrical arts and tackles these questions head on to examine our need for glorious stories with honesty, humour and intelligence.
Book your tickets here
Enter the promo code IETMSI-2021 directly on the booking platform.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Theatre
Price: €14-25
Performance in the frame of Festival Sens Interdits.
Credits:
Author and director: Adeline Rosenstein
With : Aminata Abdoulaye Hama, Marie Alié, Marie Devroux, Salim Djaferi, Titouan Quittot, Thomas Durcudoy, Rémi Faure, Anna Raisson, Adeline Rosenstein, Michael Disanka, Christiana Tabaro, Habib Ben Tanfous.
Author and director assistant: Marie Devroux
Artistic Consultant: Léa Drouet
Technical manager: Jean-François Philips
Sound composer: Andrea Neumann & Brice Agnès
Space and costumes: Yvonne Harder
Lights: Arié Van Egmond
Documentation: Saphia Arezki
Hoctorical advisors: Jean-Michel Chaumont (Poison 1), Denis Leroux (Poison 2), Saphia Arezki
Production coordination: Hanna El Fakir
2021 Creation - 1st tour in France
Production: Halles de Schaerbeek et Théâtre Dijon Bourgogne - Centre Dramatique National
Tour Production: Halles de Schaerbeek
**Co-productions **: Maison Ravage, Festival de Marseille, Théâtre Océan Nord (Brussels), Festival Sens Interdits (Lyon), Théâtre des 13 vents CDN Montpellier Les Laboratoires d'Aubervilliers, La Balsamine (Brussels), Little Big Horn
Laboratoire Poison 2 a benefited from a long residence at Théâtre Océan Nord (Brussels)
Co-production: La Coop asbl et Shelter Prod
Supported by Taxshelter.be, ING and tax-shelter du gouvernement fédéral belge et du Centre Wallonie-Bruxelles / Paris et de Wallonie-Bruxelles International
With the help of Fédération Wallonie-Bruxelles
Tour manager: Habemus Papam - Cora-Line Lefèvre et Julien Sigard
Co-direction: Festival Sens Interdits and Théâtre National Populaire
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19:00-19:20 |
21 |
Wo-Man — Amala Dianor
Maison de la Danse
Address: 8 Av. Jean Mermoz, 69008 Lyon | Event Map | Venue accessibility
Wo-Man is the story of a beautiful encounter between dancer Nangaline Gomis and choreographer Amala Dianor, whom she asked to perform an extract from her solo Man Rec as part of her studies at the CNSMD in Lyon. The choreographer then reflected on the transmission of this solo created in 2014 and which has continued to tour on international stages ever since. Conceived as a dialogue between its multiple origins – from urban dances to contemporary dance – questioning the identity of the individual and their relationship to others, Man Rec is the founding piece of a hybrid and embodied writing which imposes its singularity in the landscape of contemporary dance.
Book your tickets here
Genre: Dance
Price: € 8
Credits:
Choreography : Amala Dianor
Performer : Nangaline Gomis
Music : Awir Leon
Lights : Nicolas Tallec
Coproduction Maison de la Danse / Pôle européen de création – DRAC Auvergne – Rhône-Alpes / ministère de la Culture ; Théâtre de la Ville, Paris ; Les Quinconces-L’espal scène nationale du Mans ; Bonlieu Annecy scène nationale ; Avec le soutien de la Ville d’Angers (en cours). Accueil en résidence Maison de la Danse ; les Quinconces - L’espal scène nationale du Mans ; Théâtre Chabrol, Angers.
This performance is happening in the framework of Festival Karavel.
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19:00-21:40 |
21 |
Augures (Omens) – Chrystèle Khodr
Théâtre de la Croix-Rousse
Théâtre de la Croix-Rousse
Address: Pl. Joannes Ambre, 69004 Lyon | Event Map | Venue Accessibility
“The only place where I can speak is the stage. Not to condemn, but to question what is happening around me. Perhaps I am waiting for something to change and I am waiting for it to give me just a small place, a place in this space that is the theatre.” – Chrystèle Khodr
Three different perspectives on the period of war in Lebanon. What connects them? The theatre. Hanane Hajj Ali and Randa Asmara decided to become actors at the start of the 1980s, in the middle of a civil war in Beirut. Chrystèle Khodr belongs to the post-war generation. She creates a stage for the two actors, who retrace their theatre career and try to reconstruct the memory of this fragmented city.
Blending fiction and personal accounts, they try to draw a map of places that are now gone during the performance. What is it like to do theatre in a war-torn country? This is an opportunity to examine the relationship that these artists maintain with their profession and the need to perform in the last free place.
Book your tickets here
Enter the promo code: IETMSI-2021 directly on the booking platform dedicated to your reservations and payments for the bookings around the program of the Festival Sens Interdits.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Theatre
Price: €14-25
Credits:
Author and director : Adeline Rosenstein
Author and director : Chrystèle Khodr
With : Randa Asmar et Hanane Hajj Ali
Costumes : Good.Kill
Lights : Nadim Deaibes
Stage management : Nadim Deaibes.
Sound : Nasri Sayegh
Creation - 1st time France
Supported by La Chartreuse de Villeneuve-lez-Avignon CNES, SCAC de l’Ambassade de France à Beyrouth, Institut Français de Beyrouth, Fondation Boghossian, Afac (Arab Fund for Arts & Culture), Théâtre Tournesol, Koon Studio, Théâtre des 13 Vents Centre Dramatique National Montpellier, Studio Zoukak et de l’ONDA - Office national de diffusion artistique.
Co-realisation Festival Sens Interdits and Théâtre de la Croix-Rousse.
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19:00-21:40 |
21 |
Augures (Omens) – Chrystèle Khodr
Théâtre de la Croix-Rousse
Théâtre de la Croix-Rousse
Address: Pl. Joannes Ambre, 69004 Lyon | Event Map | Venue Accessibility
“The only place where I can speak is the stage. Not to condemn, but to question what is happening around me. Perhaps I am waiting for something to change and I am waiting for it to give me just a small place, a place in this space that is the theatre.” – Chrystèle Khodr
Three different perspectives on the period of war in Lebanon. What connects them? The theatre. Hanane Hajj Ali and Randa Asmara decided to become actors at the start of the 1980s, in the middle of a civil war in Beirut. Chrystèle Khodr belongs to the post-war generation. She creates a stage for the two actors, who retrace their theatre career and try to reconstruct the memory of this fragmented city.
Blending fiction and personal accounts, they try to draw a map of places that are now gone during the performance. What is it like to do theatre in a war-torn country? This is an opportunity to examine the relationship that these artists maintain with their profession and the need to perform in the last free place.
Book your tickets here
Enter the promo code: IETMSI-2021 directly on the booking platform dedicated to your reservations and payments for the bookings around the program of the Festival Sens Interdits.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Theatre
Price: €14-25
Credits:
Author and director : Adeline Rosenstein
Author and director : Chrystèle Khodr
With : Randa Asmar et Hanane Hajj Ali
Costumes : Good.Kill
Lights : Nadim Deaibes
Stage management : Nadim Deaibes.
Sound : Nasri Sayegh
Creation - 1st time France
Supported by La Chartreuse de Villeneuve-lez-Avignon CNES, SCAC de l’Ambassade de France à Beyrouth, Institut Français de Beyrouth, Fondation Boghossian, Afac (Arab Fund for Arts & Culture), Théâtre Tournesol, Koon Studio, Théâtre des 13 Vents Centre Dramatique National Montpellier, Studio Zoukak et de l’ONDA - Office national de diffusion artistique.
Co-realisation Festival Sens Interdits and Théâtre de la Croix-Rousse.
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19:30-20:30 |
21 |
Rêverie Carcasse – Léa Carton de Grammont
Théâtre des Clochards Célestes
Théâtre des Clochards Célestes
Address: 51 Rue des Tables Claudiennes, 69001 Lyon | Event Map | Venue Accessibility
"It goes up, it comes down. It goes up, it comes down. It takes its time. It goes up, it comes down. It breathes. It goes up, it comes down - without knowing that it exists, just breathing. It lasts like this. It breathes. As long as it exists, it breathes."
This is the story of a woman who tries to live in her body. And her body escapes her. Her body agitates her: it digests, it beats, it breathes. It spends its time becoming someone else: suddenly it is big, or pubescent, or old.
At the beginning of life, we do not distinguish between ourselves and the world. You think you are everything. Then you learn. You are IN something.
Rêverie Carcasse unfolds the relationship between a body and the person who inhabits it. In turn costume, puppet or animated landscape, the body is embodied in the material, to make existential questions sensitive: What is it to be a body? What else are we? And how can we recognise ourselves in it?
Book your tickets here
Genre: Theatre
Price: € 10
Credits:
Performer: Alice Vannier
Direction: Léa de Grammont
Scenography and stage management: Lucie Auclair and Aviva Masson
Wardrobe: Cécile Laborda
Lights: Hugo Fleurance
Coproduction: Théâtre des Clochards Célestes
With the support of 5ème Studio européen des écritures pour le théâtre, la Chartreuse de Villeneuve-lès-Avignon – Centre National des écritures du spectacle, Labo 71, la Fédération, Théâtre Nouvelle Génération – CDN Lyon, and with the artistic support of ENSATT.
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19:30-20:30 |
21 |
Rêverie Carcasse – Léa Carton de Grammont
Théâtre des Clochards Célestes
Théâtre des Clochards Célestes
Address: 51 Rue des Tables Claudiennes, 69001 Lyon | Event Map | Venue Accessibility
"It goes up, it comes down. It goes up, it comes down. It takes its time. It goes up, it comes down. It breathes. It goes up, it comes down - without knowing that it exists, just breathing. It lasts like this. It breathes. As long as it exists, it breathes."
This is the story of a woman who tries to live in her body. And her body escapes her. Her body agitates her: it digests, it beats, it breathes. It spends its time becoming someone else: suddenly it is big, or pubescent, or old.
At the beginning of life, we do not distinguish between ourselves and the world. You think you are everything. Then you learn. You are IN something.
Rêverie Carcasse unfolds the relationship between a body and the person who inhabits it. In turn costume, puppet or animated landscape, the body is embodied in the material, to make existential questions sensitive: What is it to be a body? What else are we? And how can we recognise ourselves in it?
Book your tickets here
Genre: Theatre
Price: € 10
Credits:
Performer: Alice Vannier
Direction: Léa de Grammont
Scenography and stage management: Lucie Auclair and Aviva Masson
Wardrobe: Cécile Laborda
Lights: Hugo Fleurance
Coproduction: Théâtre des Clochards Célestes
With the support of 5ème Studio européen des écritures pour le théâtre, la Chartreuse de Villeneuve-lès-Avignon – Centre National des écritures du spectacle, Labo 71, la Fédération, Théâtre Nouvelle Génération – CDN Lyon, and with the artistic support of ENSATT.
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20:00-21:55 |
21 |
La Mère Coupable – Adaptation of Beaumarchais by Laurent Hatat et Thomas Piasecki
Théâtre La Renaissance
Address: 7 Rue Orsel, 69600 Oullins | Event Map | Venue accessibility
Performance in French without subtitles.
La Mère Coupable (EN: The Guilty Mother) or L'Autre Tartuffe (EN: The Other Tartuffe) is a drama in five acts completed in 1792. It is the third and final part of Figaro's trilogy, after The Barber of Seville and The Marriage of Figaro.
Twenty years after Figaro's famous wedding, in full revolutionary effervescence, the Almaviva family returns from Mexico and stops in Paris. We find the Count and Rosine, Figaro and Suzanne, Léon, illegitimate child of the Countess, Florestine, ward of the Count, as well as the Irishman Bégearss who covets the fortune of the Count and the hand of Florestine...
In this little-known episode, Beaumarchais talks about family secrets, love and death, underprivileged children, male domination, fanatic religiosity, dreamed independence and constructed and nurtured female guilt. Another way of telling the story of political manipulation and compromise.
A saga between drama and comedy, in which we will see that it is always fun to talk about the troubles of the bourgeoisie while playing on the liveliness and cheerfulness of a text that resonates surprisingly today.
Book your tickets here
Genre: Theatre
Price: €16-32
Credits:
From Pierre-Augustin Caron de Beaumarchais
With Olivier Balazuc, Azeddine Benamara, Anne Duverneuil, Emma Gustafsson, Kenza Laala, Pierre Martot, Mathias Zakhar jeu
Director: Laurent Hatat
Adaptation and dramaturgy: Laurent Hatat, Thomas Piasecki
Music: Julien Tortora
Costume design: Isabelle Deffin
Light : Anna Sauvage
Co-production : Comédie de Picardie à Amiens, Château Rouge à Annemasse, Le Bateau Feu – Scène nationale de Dunkerque, Théâtre Paul Éluard à Choisy-le- Roi, Escher Theater à Luxembourg. Soutiens : Théâtre de La Renaissance – Oullins Lyon Métropole, Théâtre de Nîmes, Le Chevalet à Noyon, Théâtre du Nord – CDN Lille – Tourcoing, La Chartreuse – CNES à Villeneuve-lez-Avignon, Fonds d’insertion de l’École du Nord et participation artistique de l’Ensatt.
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20:00-21:55 |
21 |
La Mère Coupable – Adaptation of Beaumarchais by Laurent Hatat et Thomas Piasecki
Théâtre La Renaissance
Address: 7 Rue Orsel, 69600 Oullins | Event Map | Venue accessibility
Performance in French without subtitles.
La Mère Coupable (EN: The Guilty Mother) or L'Autre Tartuffe (EN: The Other Tartuffe) is a drama in five acts completed in 1792. It is the third and final part of Figaro's trilogy, after The Barber of Seville and The Marriage of Figaro.
Twenty years after Figaro's famous wedding, in full revolutionary effervescence, the Almaviva family returns from Mexico and stops in Paris. We find the Count and Rosine, Figaro and Suzanne, Léon, illegitimate child of the Countess, Florestine, ward of the Count, as well as the Irishman Bégearss who covets the fortune of the Count and the hand of Florestine...
In this little-known episode, Beaumarchais talks about family secrets, love and death, underprivileged children, male domination, fanatic religiosity, dreamed independence and constructed and nurtured female guilt. Another way of telling the story of political manipulation and compromise.
A saga between drama and comedy, in which we will see that it is always fun to talk about the troubles of the bourgeoisie while playing on the liveliness and cheerfulness of a text that resonates surprisingly today.
Book your tickets here
Genre: Theatre
Price: €16-32
Credits:
From Pierre-Augustin Caron de Beaumarchais
With Olivier Balazuc, Azeddine Benamara, Anne Duverneuil, Emma Gustafsson, Kenza Laala, Pierre Martot, Mathias Zakhar jeu
Director: Laurent Hatat
Adaptation and dramaturgy: Laurent Hatat, Thomas Piasecki
Music: Julien Tortora
Costume design: Isabelle Deffin
Light : Anna Sauvage
Co-production : Comédie de Picardie à Amiens, Château Rouge à Annemasse, Le Bateau Feu – Scène nationale de Dunkerque, Théâtre Paul Éluard à Choisy-le- Roi, Escher Theater à Luxembourg. Soutiens : Théâtre de La Renaissance – Oullins Lyon Métropole, Théâtre de Nîmes, Le Chevalet à Noyon, Théâtre du Nord – CDN Lille – Tourcoing, La Chartreuse – CNES à Villeneuve-lez-Avignon, Fonds d’insertion de l’École du Nord et participation artistique de l’Ensatt.
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20:30-21:30 |
21 |
Extension / Point Zéro – Amala Dianor
Maison de la Danse
Address: 8 Av. Jean Mermoz, 69008 Lyon | Event Map | Venue Accessibility
Placed under the sign of friendship, this program invites us to discover the dancer and choreographer Amala Dianor who was the magnificent performer of Emanuel Gat. Of Franco-Senegalese origin, from hip hop culture, he develops a virtuoso and transgressive dance that crosses different styles: African dance, hip hop, contemporary and neo-classical. Extension is a duo created with Bboy Junior - world breakdance star - designed as a nod to their first stage joust during the 20th anniversary of the Suresnes Cité Danse Festival in 2012.
Book your tickets here
You can use the discount code IETMLYON to book your ticket.
Genre: Dance
Price: €16-32
Credits:
Extension (2014)
Choreography: Amala Dianor
Performers: Junior Bosila (Bboy Junior), Amala Dianor
Music: Olivier
Point Zéro (2021)
Choreography: Amala Dianor
Interpreters : Amala Dianor, Johanna Faye, Mathias Rassin
Music: Awir Leon
Lights: Nicolas Tallec
Compagnie Amala Dianor
Co-production Maison de la Danse / Pôle européen de création – DRAC Auvergne – Rhône-Alpes / ministère de la Culture ; Théâtre de la Ville, Paris ; Les Quinconces-L’espal scène nationale du Mans ; Bonlieu Annecy scène nationale ; With the support of the city of d’Angers (en cours).
Residence at Maison de la Danse ; les Quinconces - L’espal scène nationale du Mans ; Théâtre Chabrol, Angers. Extension
Une commande et coproduction du Théâtre de Suresnes – Jean Vilar.
With the support of CNDC of Angers. Point zéro Production Kaplan / Cie.
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20:30-21:30 |
21 |
Extension / Point Zéro – Amala Dianor
Maison de la Danse
Address: 8 Av. Jean Mermoz, 69008 Lyon | Event Map | Venue Accessibility
Placed under the sign of friendship, this program invites us to discover the dancer and choreographer Amala Dianor who was the magnificent performer of Emanuel Gat. Of Franco-Senegalese origin, from hip hop culture, he develops a virtuoso and transgressive dance that crosses different styles: African dance, hip hop, contemporary and neo-classical. Extension is a duo created with Bboy Junior - world breakdance star - designed as a nod to their first stage joust during the 20th anniversary of the Suresnes Cité Danse Festival in 2012.
Book your tickets here
You can use the discount code IETMLYON to book your ticket.
Genre: Dance
Price: €16-32
Credits:
Extension (2014)
Choreography: Amala Dianor
Performers: Junior Bosila (Bboy Junior), Amala Dianor
Music: Olivier
Point Zéro (2021)
Choreography: Amala Dianor
Interpreters : Amala Dianor, Johanna Faye, Mathias Rassin
Music: Awir Leon
Lights: Nicolas Tallec
Compagnie Amala Dianor
Co-production Maison de la Danse / Pôle européen de création – DRAC Auvergne – Rhône-Alpes / ministère de la Culture ; Théâtre de la Ville, Paris ; Les Quinconces-L’espal scène nationale du Mans ; Bonlieu Annecy scène nationale ; With the support of the city of d’Angers (en cours).
Residence at Maison de la Danse ; les Quinconces - L’espal scène nationale du Mans ; Théâtre Chabrol, Angers. Extension
Une commande et coproduction du Théâtre de Suresnes – Jean Vilar.
With the support of CNDC of Angers. Point zéro Production Kaplan / Cie.
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21:00-22:40 |
21 |
Outside – Kirill Serebrennikov CANCELLED
Théâtre des Célestins, Grande Salle
Théâtre des Célestins, Grande Salle
This performance was cancelled. In case you have already purchased tickets, please get in touch with the ticket provider.
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21:00-01:00 |
18 |
Late-night meeting point
Péniche Modulo
Address: 15 Quai du Général Sarrail, 69006 Lyon | Event Map | Venue accessibility
An informal moment to come back together, network, relax with colleagues and friends, and meet new faces.
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21:00-22:40 |
21 |
Outside – Kirill Serebrennikov CANCELLED
Théâtre des Célestins, Grande Salle
Théâtre des Célestins, Grande Salle
This performance was cancelled. In case you have already purchased tickets, please get in touch with the ticket provider.
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21:00-01:00 |
18 |
Late-night meeting point
Péniche Modulo
Address: 15 Quai du Général Sarrail, 69006 Lyon | Event Map | Venue accessibility
An informal moment to come back together, network, relax with colleagues and friends, and meet new faces.
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22:00-23:00 |
21 |
Rêve en Carton – Dieudonné Niangouna
Théâtre de l’Elysée
Address: 14 Rue Basse Combalot, 69007 Lyon | Event Map
Performance in French without subtitles.
(…) Poetry is no longer about beauty, it is a shockwave, the disenchantment of an unkind heart. Across scores of occurrences, all the smoking steps sting the earth, the ocean in its internal desert; the thirst that is utopia. Remaining in this partition, scarred, half-burned, strained from the anger of those disappeared beyond the roads and the blades of sharp silences. I have escaped on the whole. And I pretend to watch a nightmare, an action that happens in five movements: Exile, Border, Wandering, Death, Transition.
Book your tickets here
Enter the promo code IETMSI-2021 directly on the booking platform dedicated to your reservations and payments for the bookings around the program of the Festival Sens Interdits.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Reading
Price:14-25 €
Credits:
Author and reading : Dieudonné Niangouna
Sound and music creation : Pierre-Jean Rigal dit Pidj
Production : Compagnie Les Bruits de la Rue.
La Compagnie Les Bruits de la Rue is supported by la Drac Île-de-France - Ministère de la Culture et de la Communication.
This is a performance in the frame of Festival Sens Interdits.
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22:00-23:00 |
21 |
Rêve en Carton – Dieudonné Niangouna
Théâtre de l’Elysée
Address: 14 Rue Basse Combalot, 69007 Lyon | Event Map
Performance in French without subtitles.
(…) Poetry is no longer about beauty, it is a shockwave, the disenchantment of an unkind heart. Across scores of occurrences, all the smoking steps sting the earth, the ocean in its internal desert; the thirst that is utopia. Remaining in this partition, scarred, half-burned, strained from the anger of those disappeared beyond the roads and the blades of sharp silences. I have escaped on the whole. And I pretend to watch a nightmare, an action that happens in five movements: Exile, Border, Wandering, Death, Transition.
Book your tickets here
Enter the promo code IETMSI-2021 directly on the booking platform dedicated to your reservations and payments for the bookings around the program of the Festival Sens Interdits.
This platform will be active until October 15, 2021 and reservations are subject to availability. To take seats for plus ones, you will have access to public prices by clicking directly on the show links on the home page.
Genre: Reading
Price:14-25 €
Credits:
Author and reading : Dieudonné Niangouna
Sound and music creation : Pierre-Jean Rigal dit Pidj
Production : Compagnie Les Bruits de la Rue.
La Compagnie Les Bruits de la Rue is supported by la Drac Île-de-France - Ministère de la Culture et de la Communication.
This is a performance in the frame of Festival Sens Interdits.
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