The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

The School of Culture and Creative Arts welcomes IETM delegates to Not the Ivory Tower at the University of Glasgow. A specially commissioned guided walk of our ancient University, led by two of our doctoral students (and professional practitioners), is followed by a symposium which explores, through various current examples, the ways in which a University is able to engage with, support, and influence the cultural activities of a city. In these financially challenging times, collaboration and creative partnerships across sectors are all the more vital. Contributors include Professor Nick Pearce (Head of the School of CCA), Professor Adrienne Scullion (Research Lead on Pantomime in Scotland), Dr. Dominic Paterson (Curator and Art critic), Dr. Nick Fells (Scottish Opera, Red Note Ensemble, and Glasgow Improvisers Orchestra), Jackie Wylie (Artistic Director of Arches and PhD supervisor for Collaborative Doctoral Award), and David Overend (Collaborative Doctoral Award student, with the Arches and Glasgow University).

The School of Culture and Creative Arts welcomes IETM delegates to Not the Ivory Tower at the University of Glasgow. A specially commissioned guided walk of our ancient University, led by two of our doctoral students (and professional practitioners), is followed by a symposium which explores, through various current examples, the ways in which a University is able to engage with, support, and influence the cultural activities of a city. In these financially challenging times, collaboration and creative partnerships across sectors are all the more vital. Contributors include Professor Nick Pearce (Head of the School of CCA), Professor Adrienne Scullion (Research Lead on Pantomime in Scotland), Dr. Dominic Paterson (Curator and Art critic), Dr. Nick Fells (Scottish Opera, Red Note Ensemble, and Glasgow Improvisers Orchestra), Jackie Wylie (Artistic Director of Arches and PhD supervisor for Collaborative Doctoral Award), and David Overend (Collaborative Doctoral Award student, with the Arches and Glasgow University).

Film Screening of “There is a Place” followed by presentation and discussion The China-UK Connections through Culture (CtC) initiative offers support, information, advice, networking opportunities and development grants to cultural organisations in China and the UK, to build long lasting relationships and develop cultural collaborations between the two countries. Development grants help UK organisations to develop projects with their partners in China, and increase visibility of projects. One exciting outcome of this cross-cultural collaboration has resulted in a co-commission(*) between Hong Kong City Contemporary Dance Company, Goat Media Ltd and Dance House. Sang Jijia – a Tibetan dancer/choreographer based in China - visited Scotland in May of this year and spent six days with Katrina McPherson and Simon Fides at their home in Glenferness. During this time they filmed ‘There is a Place’, a seven minute dance film with soundtrack by Philip Jeck. This screening at IETM is a preview of ' There is a Place', which will be premiered in Hong Kong in November 2010 at the 4th Jumping Frames International Dance Video Festival before going on tour to other screendance festivals. The screening will include an introduction from McPherson, who will be joined afterwards by other Scottish dance professionals involved in the China CtC project - giving a fascinating and varied perspective on their individual experiences.

Film Screening of “There is a Place” followed by presentation and discussion The China-UK Connections through Culture (CtC) initiative offers support, information, advice, networking opportunities and development grants to cultural organisations in China and the UK, to build long lasting relationships and develop cultural collaborations between the two countries. Development grants help UK organisations to develop projects with their partners in China, and increase visibility of projects. One exciting outcome of this cross-cultural collaboration has resulted in a co-commission(*) between Hong Kong City Contemporary Dance Company, Goat Media Ltd and Dance House. Sang Jijia – a Tibetan dancer/choreographer based in China - visited Scotland in May of this year and spent six days with Katrina McPherson and Simon Fides at their home in Glenferness. During this time they filmed ‘There is a Place’, a seven minute dance film with soundtrack by Philip Jeck. This screening at IETM is a preview of ' There is a Place', which will be premiered in Hong Kong in November 2010 at the 4th Jumping Frames International Dance Video Festival before going on tour to other screendance festivals. The screening will include an introduction from McPherson, who will be joined afterwards by other Scottish dance professionals involved in the China CtC project - giving a fascinating and varied perspective on their individual experiences.

Hard hat tour of New Riverside Museum designed by Zaha Hadid. Construction started on site in 2007, bringing to life the innovative and technically complex design by acclaimed architect Zaha Hadid for Glasgow’s new transport museum, Riverside. It is the UK’s biggest museum project and is part of a major regeneration programme for the former docks and quays alongside the Clyde River.

Hard hat tour of New Riverside Museum designed by Zaha Hadid. Construction started on site in 2007, bringing to life the innovative and technically complex design by acclaimed architect Zaha Hadid for Glasgow’s new transport museum, Riverside. It is the UK’s biggest museum project and is part of a major regeneration programme for the former docks and quays alongside the Clyde River.

Over the past 10 years Untitled Projects has produced unusual and visually extravagant theatre in Scotland: from site specific performances in a swimming pool and a living room, to the installation of a 60 meter access ramp for a performance at Tramway. For the IETM Plenary Meeting Untitled Projects director Stewart Laing has devised an informal, performative presentation of the work of the company, looking back over a decade of distinctive events and looking forward to a period of more intense development over the coming years.

Over the past 10 years Untitled Projects has produced unusual and visually extravagant theatre in Scotland: from site specific performances in a swimming pool and a living room, to the installation of a 60 meter access ramp for a performance at Tramway. For the IETM Plenary Meeting Untitled Projects director Stewart Laing has devised an informal, performative presentation of the work of the company, looking back over a decade of distinctive events and looking forward to a period of more intense development over the coming years.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

Cove Park is situated on a 50-acre site overlooking Loch Long on the Rosneath peninsula. Invited artists are given the time, space and freedom to concentrate on the development of their work. Cove Park provides a supportive context in which artists can devise new projects, experiment and engage with artists working in different fields or with different approaches to their practice. Located on the fringes of the Loch Lomond and the Trossachs National Park, the peninsula is an area of outstanding natural beauty. 

Cove Park is situated on a 50-acre site overlooking Loch Long on the Rosneath peninsula. Invited artists are given the time, space and freedom to concentrate on the development of their work. Cove Park provides a supportive context in which artists can devise new projects, experiment and engage with artists working in different fields or with different approaches to their practice. Located on the fringes of the Loch Lomond and the Trossachs National Park, the peninsula is an area of outstanding natural beauty. 

Tour of Scottish Ballet and open rehearsal. Scottish Ballet is Scotland's National Dance Company, run under the award-winning direction of Ashley Page. The Company employs 36 professional dancers, 41 staff and a part-time freelance orchestra of up to 70 musicians. Scottish Ballet's primary aim is to provide programmes of world-class dance performance and educational activity at all scales.

The 21st Century Conservatoire: Championing new work, fresh thinking and imagination in the face of austerity. A panel of theatre makers, producers and educators examines the Royal Scottish Academy of Music and Drama’s growing role as a supporter and promoter of emerging artists and new works. The panel will imagine the future impact of a national conservatoire committed to full engagement with the profession through partnerships, co-productions, practical research and continuing professional development. With a public funding crisis looming, can we afford to maintain this enhanced role beyond our ‘core’ function of education and training at undergraduate and postgraduate level? Can we afford not to? A panel discussion hosted by The School of Drama in The New Athenaeum Theatre.

Tour of Scottish Ballet and open rehearsal. Scottish Ballet is Scotland's National Dance Company, run under the award-winning direction of Ashley Page. The Company employs 36 professional dancers, 41 staff and a part-time freelance orchestra of up to 70 musicians. Scottish Ballet's primary aim is to provide programmes of world-class dance performance and educational activity at all scales.

The 21st Century Conservatoire: Championing new work, fresh thinking and imagination in the face of austerity. A panel of theatre makers, producers and educators examines the Royal Scottish Academy of Music and Drama’s growing role as a supporter and promoter of emerging artists and new works. The panel will imagine the future impact of a national conservatoire committed to full engagement with the profession through partnerships, co-productions, practical research and continuing professional development. With a public funding crisis looming, can we afford to maintain this enhanced role beyond our ‘core’ function of education and training at undergraduate and postgraduate level? Can we afford not to? A panel discussion hosted by The School of Drama in The New Athenaeum Theatre.

Join Platform for a lively discussion on the development of theatre for babies, children and young people in Scotland. The discussion will be framed in the context of Platform, an award-winning arts centre located in the heart of Easterhouse, one of the city’s peripheral housing schemes. Practitioners and policy makers will share their thinking and encourage feedback from the floor. To kick the event off there will be a performance of The Incredible Swimming Choir, a show for 0 - 4yrs in the venue's swimming pool created by Starcatchers artist-in- residence, Matt Addicott. Swimsuit optional!

Research & Development Project with Angus Balbernie & Norman Douglas : Open rehearsal and artist talk 
This collaboration between these two International choreographers Angus Balbernie (UK, Argentina, Belgium, Spain, Holland and Berlin) and Norman Douglas (Prague, Sweden, Norway, Vienna, Scotland, Berlin and Hamburg) explore what is shared and what is radically different in the separate approaches of these two choreographers and directors. Each artist will use premeditated movement from their current repertoires, and/or newly devised material created by the participants, to explore the notion of what it takes for both to achieve any centripetal existence between two choreographers whose works and movement language come from the extremities of differential borders, physiological pathways, and different forms of engagement through image and language.

Join Platform for a lively discussion on the development of theatre for babies, children and young people in Scotland. The discussion will be framed in the context of Platform, an award-winning arts centre located in the heart of Easterhouse, one of the city’s peripheral housing schemes. Practitioners and policy makers will share their thinking and encourage feedback from the floor. To kick the event off there will be a performance of The Incredible Swimming Choir, a show for 0 - 4yrs in the venue's swimming pool created by Starcatchers artist-in- residence, Matt Addicott. Swimsuit optional!

Research & Development Project with Angus Balbernie & Norman Douglas : Open rehearsal and artist talk 
This collaboration between these two International choreographers Angus Balbernie (UK, Argentina, Belgium, Spain, Holland and Berlin) and Norman Douglas (Prague, Sweden, Norway, Vienna, Scotland, Berlin and Hamburg) explore what is shared and what is radically different in the separate approaches of these two choreographers and directors. Each artist will use premeditated movement from their current repertoires, and/or newly devised material created by the participants, to explore the notion of what it takes for both to achieve any centripetal existence between two choreographers whose works and movement language come from the extremities of differential borders, physiological pathways, and different forms of engagement through image and language.

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

Over the past 10 years Untitled Projects has produced unusual and visually extravagant theatre in Scotland: from site specific performances in a swimming pool and a living room, to the installation of a 60 meter access ramp for a performance at Tramway. For the IETM Plenary Meeting Untitled Projects director Stewart Laing has devised an informal, performative presentation of the work of the company, looking back over a decade of distinctive events and looking forward to a period of more intense development over the coming years.

Wasps Artists' Studios is an award-winning charity which provides affordable studio space to support the careers of up to 750 artists working in Scotland today. They have recently opened a new set of studios in The Briggait, a beautiful Grade A listed building in Glasgow’s medieval quarter, the Merchant City. Originally built in 1873, the Briggait was the city’s fish market for over 100 years. It has now been transformed into a vibrant new home for over 80 visual artists and cultural organisations.

Wasps Artists' Studios is an award-winning charity which provides affordable studio space to support the careers of up to 750 artists working in Scotland today. They have recently opened a new set of studios in The Briggait, a beautiful Grade A listed building in Glasgow’s medieval quarter, the Merchant City. Originally built in 1873, the Briggait was the city’s fish market for over 100 years. It has now been transformed into a vibrant new home for over 80 visual artists and cultural organisations.

Over the past 10 years Untitled Projects has produced unusual and visually extravagant theatre in Scotland: from site specific performances in a swimming pool and a living room, to the installation of a 60 meter access ramp for a performance at Tramway. For the IETM Plenary Meeting Untitled Projects director Stewart Laing has devised an informal, performative presentation of the work of the company, looking back over a decade of distinctive events and looking forward to a period of more intense development over the coming years.

Showing of new work by Scottish Based choreographer Natasha Gilmore. Inspired by the last conversation Natasha Gilmore, (Artistic Director) had with her grandma - Carmel - prior to her death, the work takes the stand that mature citizens have a tremendous bank of knowledge gained over years of life’s learning and are to be respected, listened to and celebrated.

Showing of new work by Scottish Based choreographer Natasha Gilmore. Inspired by the last conversation Natasha Gilmore, (Artistic Director) had with her grandma - Carmel - prior to her death, the work takes the stand that mature citizens have a tremendous bank of knowledge gained over years of life’s learning and are to be respected, listened to and celebrated.

In less than 5 years, the National Theatre of Scotland has established itself as an international powerhouse. A national ‘theatre without walls’, the Company has no performance space of its own, but instead, working out of Glasgow offices and rehearsal space, opens and tours shows throughout the length and breadth of Scotland and beyond. This trip will be an opportunity to meet the key staff of the organisation, including Artistic Director, Vicky Featherstone. In addition, there will be a chance to sit in on a development rehearsal of a new piece about disability, written and directed by Pol Heyvaert (Victoria, Campo). The Company will also present a short piece of existing work and invite guests to join them in a glass of wine.

In less than 5 years, the National Theatre of Scotland has established itself as an international powerhouse. A national ‘theatre without walls’, the Company has no performance space of its own, but instead, working out of Glasgow offices and rehearsal space, opens and tours shows throughout the length and breadth of Scotland and beyond. This trip will be an opportunity to meet the key staff of the organisation, including Artistic Director, Vicky Featherstone. In addition, there will be a chance to sit in on a development rehearsal of a new piece about disability, written and directed by Pol Heyvaert (Victoria, Campo). The Company will also present a short piece of existing work and invite guests to join them in a glass of wine.

Showing by Donna Rutherford of KIN a project capturing the changing relationship between middle-aged children and their parents. The project hopes to explore the fear and sorrow, the anger, guilt and frustration but also the love, trust and laughter to be found in this universal experience.

Showing by Donna Rutherford of KIN a project capturing the changing relationship between middle-aged children and their parents. The project hopes to explore the fear and sorrow, the anger, guilt and frustration but also the love, trust and laughter to be found in this universal experience.

As part of our early evening schedule on Friday 5th, IETM Delegates are invited to capitalize on the city’s world famous warmth and hospitality by dining with some of Glasgow’s cultural inhabitants. In small groups of 4 or 5, you will be invited into the homes of people engaged with the day-to-day challenges of working in the arts in Scotland. There will be a small of charge of £5 per person for this event.

As part of our early evening schedule on Friday 5th, IETM Delegates are invited to capitalize on the city’s world famous warmth and hospitality by dining with some of Glasgow’s cultural inhabitants. In small groups of 4 or 5, you will be invited into the homes of people engaged with the day-to-day challenges of working in the arts in Scotland. There will be a small of charge of £5 per person for this event.

This session takes journey and adventure as its theme; inviting participants to make their own stories and find their own direction as the urban Glasgow cityscape unfolds like a movie around them. Poorboy have a prestigious track record of working in found spaces and of ambitiously appropriating the vistas and visuals of everyday life into exhilarating and involving stories. Their dramatic re-imaginings have been critically acclaimed and are underpinned by the company’s bold explorations of cross disciplinary collaborative working. Language is no barrier as Artistic Director Sandy Thomson leads a very practical exploration of the choreography of non-traditional performance sites and uncovers dramatic encounters from the most ordinary of locations. Using the backdrop of reality, participants will have the chance to share their own experiences and responses to both the city of Glasgow and the journey that has led them here. 

This session takes journey and adventure as its theme; inviting participants to make their own stories and find their own direction as the urban Glasgow cityscape unfolds like a movie around them. Poorboy have a prestigious track record of working in found spaces and of ambitiously appropriating the vistas and visuals of everyday life into exhilarating and involving stories. Their dramatic re-imaginings have been critically acclaimed and are underpinned by the company’s bold explorations of cross disciplinary collaborative working. Language is no barrier as Artistic Director Sandy Thomson leads a very practical exploration of the choreography of non-traditional performance sites and uncovers dramatic encounters from the most ordinary of locations. Using the backdrop of reality, participants will have the chance to share their own experiences and responses to both the city of Glasgow and the journey that has led them here. 

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

Tour 1- The University of Glasgow to Park Quadrant
Do you remember that scene in the Buster Keaton film ‘Steamboat Bill, Jr?’ There are storm clouds in the air. It starts to rain. A single sheet of newspaper flies through the air. The storm gets stronger. People are running away, they flee the city. The roof of the hospital is lifted off and we see him… we see Buster.

Tour 2 – CCA to Hill Street, Garnethill
Establishment shot. A beautiful wide view over the city, it’s Paris of course, I imagine it does look over Paris. Though I can’t see any specific landmarks. There’s also two spires just there. Maybe it doesn’t have to be specifically Paris. A camera looks out over... a city at morning. Let’s keep it non-specific. A morning, lamppost, a cityscape in the mist. Classic.

Tour 3 – The Arches to Broomielaw, Commerce St Bridge
Diane Keaton: Isn’t it beautiful out?
Woody Allen: Yeah it’s really so so pretty when the light starts to come up.
Diane Keaton: I know I love it.
Woody Allen: Boy this is really a great city I don’t care what anybody says. It’s just really a knockout you know?

These performative tours will meet participants at venues around the city and lead them to sites that remind the tour guide of significant moments from classic movies. In an attempt to transform these everyday locations into sites of romantic and cinematic beauty, we can cast the city as one huge film set and the site of many converging narratives.

Tour of the Merchant City’s theatrical past and the Britannia Panopticon, the oldest surving Victorian Music Hall in the UK. Famous for the first performances of Stan Laurel and the Zoo it kept in the basement.

Tour of the Merchant City’s theatrical past and the Britannia Panopticon, the oldest surving Victorian Music Hall in the UK. Famous for the first performances of Stan Laurel and the Zoo it kept in the basement.

Scotland has an international reputation for short films that are both visually brave and socially committed. Advances in digital technology have made possible new forms of expression, new collaborations, greater accessibility for anyone with strong filmic ideas. Meet the next generation in this showcase of exciting genre-bending new work, introduced by the filmmakers.

Scotland has an international reputation for short films that are both visually brave and socially committed. Advances in digital technology have made possible new forms of expression, new collaborations, greater accessibility for anyone with strong filmic ideas. Meet the next generation in this showcase of exciting genre-bending new work, introduced by the filmmakers.

Govanhill Baths is a B listed Victorian Bathhouse located in Govanhill, Scotland's most ethnically diverse area. The closure of the Baths in 2001 was met with a huge outcry from the local community who protested in the streets and occupied the building for six months until removed by Sheriff Officers. The campaign to save the pool continued and evolved from one of resistance to its current position as a charity which is working toward bringing the building into community ownership.

In partnership with NORD the award winning architectural practice, Govanhill Community Baths Trust has developed plans to refurbish the building as a site for performance and creative learning. Our IETM contribution will consist of a tour around the building and a talk by members of the Trust and NORD on the history of the campaign and our current work on community ownership.

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

Visit Scottish Youth Theatre, Scotland’s national theatre for and by young people, in their iconic national headquarters at The Old Sheriff Court in Glasgow’s Merchant City. Accompanied by an Associate Director, join a tour of this unique purpose-built rehearsal and performance venue. Observe drama classes and Family Story Time rehearsals, two of the company’s wide range of theatre arts based activities for young people from toddlers to 25. Hear of Scottish Youth Theatre’s mission to provide opportunities for young people to explore and reach their creative potential and the development of the company on the national and international stages.

Performance at SHARMANKA (Russian for hurdy-gurdy). SHARMANKA was founded by sculptor-mechanic Eduard Bersudsky and theatre director Tatyana Jakovskaya in St.Petersburg (Russia) in 1989. Audiences in many countries have been fascinated by its magic, and based in Glasgow since 1996, it has gained a reputation as one of the city’s hidden treasures.

Bridging, a site-responsive performance on the River Clyde in Glasgow city centre, laces together the banks of the river with 1.5 kilometres of heavy mooring rope. This unique collaboration between artists Minty Donald and Nick Millar and Offshore Workboats brings together ‘culture’ and ‘industry’ in a poetic evocation of the role of the Clyde – past, present and future.

Visit Scottish Youth Theatre, Scotland’s national theatre for and by young people, in their iconic national headquarters at The Old Sheriff Court in Glasgow’s Merchant City. Accompanied by an Associate Director, join a tour of this unique purpose-built rehearsal and performance venue. Observe drama classes and Family Story Time rehearsals, two of the company’s wide range of theatre arts based activities for young people from toddlers to 25. Hear of Scottish Youth Theatre’s mission to provide opportunities for young people to explore and reach their creative potential and the development of the company on the national and international stages.

Bridging, a site-responsive performance on the River Clyde in Glasgow city centre, laces together the banks of the river with 1.5 kilometres of heavy mooring rope. This unique collaboration between artists Minty Donald and Nick Millar and Offshore Workboats brings together ‘culture’ and ‘industry’ in a poetic evocation of the role of the Clyde – past, present and future.

Govanhill Baths is a B listed Victorian Bathhouse located in Govanhill, Scotland's most ethnically diverse area. The closure of the Baths in 2001 was met with a huge outcry from the local community who protested in the streets and occupied the building for six months until removed by Sheriff Officers. The campaign to save the pool continued and evolved from one of resistance to its current position as a charity which is working toward bringing the building into community ownership.

In partnership with NORD the award winning architectural practice, Govanhill Community Baths Trust has developed plans to refurbish the building as a site for performance and creative learning. Our IETM contribution will consist of a tour around the building and a talk by members of the Trust and NORD on the history of the campaign and our current work on community ownership.

The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

The Art School has produced most of Scotland's leading contemporary artists including, since 2005, 30% of Turner Prize nominees and two of the last five Turner Prize winners: Simon Starling in 2005 and Richard Wright in 2009. The Mackintosh Building was designed by Charles Rennie Mackintosh in 1899 and is still a working art school. It houses a number of Mackintosh art works and furniture.

Making Mischief in Glasgow. Ian Smith, Artistic Director of Mischief La-Bas, will give a presentation on the growth of the Glasgow-based interactive performance company whose mission statement is ‘to gently warp the underlay of the fabric of society’. Whether crashing a full-sized space rocket into the city centre, erecting statues of an obscure Tango Superstar in 25 Scottish villages, or creating a street-long ‘Market of Optimism’ Smith believes the company provides very real medicine to a society often jaded by cynicism. ’20 years ago, nobody knew they needed Mischief, now we find some people can’t do without it.’

Making Mischief in Glasgow. Ian Smith, Artistic Director of Mischief La-Bas, will give a presentation on the growth of the Glasgow-based interactive performance company whose mission statement is ‘to gently warp the underlay of the fabric of society’. Whether crashing a full-sized space rocket into the city centre, erecting statues of an obscure Tango Superstar in 25 Scottish villages, or creating a street-long ‘Market of Optimism’ Smith believes the company provides very real medicine to a society often jaded by cynicism. ’20 years ago, nobody knew they needed Mischief, now we find some people can’t do without it.’

Join the Artistic Directors for a glass of bubbly and a showcase of Vox Motus' unique visual style. 

Join the Artistic Directors for a glass of bubbly and a showcase of Vox Motus' unique visual style. 

Experience one of Glasgow’s newest Arts spaces, the converted Glasgow Fish Market for a pre-last night party presentation of physical and aerial performance and a warming whiskey provided by our sponsors AnCnoc.

Experience one of Glasgow’s newest Arts spaces, the converted Glasgow Fish Market for a pre-last night party presentation of physical and aerial performance and a warming whiskey provided by our sponsors AnCnoc.